Dolicheremaeus wangi sp. n. is described from Tian-mu Mountain, Zhejiang Province, China. Dolicheremaeus infrequens hachijoensis AOKI and Trichotocepheus erabuensis AOKI, are reported for the first time from China.As members of the Sino-Japanese cooperative work on soil animals the authors collected three species of oribatids belonging to the family Otocepheidae at Tian-mu Mountain in Zhejiang Province. Of these, two species identified with Dolicheremaeus infrequens hachijoensis AOKI, 1967, and Trichocepheus erabuensis AOKI, 1965, have hitherto been known only from the subtropical regions of Japan, and the remaining one seems to be a new species of the genus Dolicheremaeus. Measurement. Body length 745-825 ,um, width 385-435 ,um. Prodorsum. Lamellar ridge hardly reaching rostral margin; the posterior part showing double structure, being accompanied by a short inner ridge. Lateral lamelliform expansion well developed. Rostral and lamellar setae strongly curved inward, densely barbed on outside. Interlamellar seta directed upward, weakly and sparsely barbed. Sensillus with a long, slender pedicel curving backward, bearing a weakly swollen spindle-shaped head. Exobothridial seta long. Lateral prodorsal condyle (co. pl) trapezoid with rounded corners. Ventral bothridial plate triangular with rounded tip.Notogaster. Notogaster rather stout 1,15-1.22x as long as wide. Lateral notogastral condyle (co. nl) large and triangular, overlapping tip of lateral prodorsal condyle. Ten pairs of notogastral setae thin, long and whip-like: seta ti reaching insertion
On the basis of Etsuko's memory, A Pale View of Hills, a masterpiece of Kazuo Ishiguro, narrates Etsuko's life experiences and her identity construction. The paper analyses the novel from the perspective of spatial criticism proposed by Edward Soja and explores the three-dimensional spaces constructed in the novel in order to explore Etsuko's attempts to leave the marginal space and analyse her pursuit of identity. The paper comes to the conclusion that by constructing Thirdspace open to all cultures, Etsuko eliminates the dichotomy between Firstspace and Secondspace and embraces her hybrid identity.
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