Reading in the normal or general sense limits the possibilities of meaning, yet a text can be read for the plurality of meaning which is very evident in contemporary fiction. An author writes a text in order to throw it open to the reader whose activity produces meaning. Thus reading and understanding of a text is the result of the very subtle interaction between the text and the reader. In this sense contemporary fiction remains a sole exercise or activity of a reader. Complexity of the age in which we live makes this more challenging task for the reader. Since the author replicates his world of ideas from this complex world, this complexity and disintegration of recognizable truth, makes a deep crisis in art and society which is in flux.
This study aims at investigating the effects of types of oral texts’ genres on listening comprehension of Iranian EFL learners. The participants of the study were 65 male and female EFL students which all of them from Issar institute in Nikshahr and Chabahar. In order to have homogeneous groups and real-intermediate level students, the first part of the Oxford Placement Test (OPT) containing 40 questions was performed. After the sampling procedure, the pretest was performed and then students were randomly assigned to two groups of control and experimental. The experimental group received a course encompassing the instruction of generic features including news with two genres, political and economic, for twenty sessions of instruction. The subjects in the control group listened to some pieces of news (without any specific generic features, mostly reports with ordinary people about routines). The results showed the experimental group had a better performance on the listening comprehension posttest.
Landscapes are not simply something objective and unchallenged out there but the work of the mind made by the strata of memory. This paper attempts to show that an ecocritical reading of Paul Bowles’s The Sheltering Sky (1949) helps one in better understanding of this novel of post-colonial alienation and existential despair. Bowles is an American writer and a composer who is undoubtedly the most arresting example of cross-cultural influence concerning a Western author and the Middle East and North Africa. His fiction mostly focuses on American expatriates travelling in exotic locations. The Sheltering Sky is an encounter with the Sahara, not only the physical one but the desert of moral nihilism into which one may wander blindly. The boundless desert acts here as a metaphor and the journey symbolizes one’s own journey into the depth of his/her soul. The desert also projects an apocalyptic vision in the struggle between the West and the East and the Sahara becomes in fact a Conradian Heart of Darkness, an Eliotian Waste Land, and a Sartrean No Exit. In the novel the actual environment becomes in some ways pale and covert under the psyche of the writer. Consequently we come to know that Bowles's own knowledge and awareness of the same environments left traces in his work. Accordingly we may wrap up that the environment bears a direct impact on our understanding of it.
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