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What is at stake in this fictocritical aesthetic remediation? What existing practices would it re-function, supplement or supersede? Is mourning adequate to the task of cross-cultural reconciliation? How might fictocritical effects be animated in the service of this aim? In the process of exploring these questions I will suggest that the methodology of mourning is an allegorical vehicle for cross-cultural writing. Employed to remediate the colonial inheritance, it nonetheless requires acts of empathy according to models of the imagination that are part and parcel of that inheritance.

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