This article examines the practice of electronics building in the context of other crafts. We compare the experience of making electronics with the experiences of carving, sewing, and painting. Our investigation is grounded in a survey of 40 practicing craftspeople who are working in each of these disciplines. We then use this survey as a foundation for a discussion of hybrid craft-integrations of electronics with carving, sewing, and painting. We present examples of hybrid craft and discuss the ways in which blended practices can enrich and diversify technology.
The E-Textile Swatch Exchange is a platform for sharing physical work samples in the field of electronic textiles. The exchange wishes to emphasize the importance of physicality and quality workmanship in an increasingly digital world. Individuals and collaborative efforts participate in the exchange by submitting a unique swatch design of their own, and in turn receive a compiled collection of everybody else's swatches. This means that everybody participating needs to make as many multiples of their swatch as the total number of participants. There are no guidelines defining what the swatches could or should be, only that they relate to the field of E-Textiles.
Embedded programming is typically made accessible through modular electronics toolkits. In this paper, we explore an alternative approach, combining microcontrollers with craft materials and processes as a means of bringing new groups of people and skills to technology production. We have developed simple and robust techniques for drawing circuits with conductive ink on paper, enabling off-theshelf electronic components to be embedded directly into interactive artifacts. We have also developed an set of hardware and software tools -an instance of what we call an "untoolkit" -to provide an accessible toolchain for the programming of microcontrollers. We evaluated our techniques in a number of workshops, one of which is detailed in the paper. Four broader themes emerge: accessibility and appeal, the integration of craft and technology, microcontrollers vs. electronic toolkits, and the relationship between programming and physical artifacts. We also expand more generally on the idea of an untoolkit, offering a definition and some design principles, as well as suggest potential areas of future research.
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