SResumen: Este articulo trata sobre un proyecto centrado en el pasado contencioso en Israel y Palestina. Frente a un escenario de incesantes conflictos, los participantes ~rabes y los judios descubrieron sus compromisos mutuos, con distintos puntos de vista, en las comunidades en las que trabajaron. Partiendo de esta base com6n los participantes exploraron las areas en las que coinciden o discrepan. No obstante, el espffitu predominante del proyecto era el de la colaboraci6n. Un ejemplo de ese espiritu fue el ~xito del esfuerzo de los participantes del proyecto por proteger un antiguo asentamiento que iba a ser destruido por la construcci6n de un muro de seguridad, a trav~s del West Bank, por Israel.R~sume:Cet article traite d'un projet au sujet du passe de discorde entre l'Isra~l et la Palestine. Avec pour arriere-plan un conflit incessant, les participants arabes et juifs ont d~couvert qu'ils ~taient mutuellement impliques darts les communaut~s dans lesqueIles ils travaillaient. Dans le context de ce point commun, les participants ont explore les zones d'accord et de desaccord. La mentalite predominante dans ce projet a et~ une de cooperation, ke symbole de cet esprit de cooperation a ete le succ~s de l'effort des participants du projet pour sauver un ancien etablissement menace de destruction certaine lors de la construction du tour de s~curit~ par l'Isra~l ~ travers la West Bank.The looting of the Baghdad Museum in 2003, an unintended result of the U.S. invasion of Iraq, has perhaps been the most striking illustration of the close relationship between archaeology and politics in the Middle East. All over the globe, archaeologists decried the destruction of heritage ostensibly perpetrated by the very people who were its primary beneficiaries. Experience in this region, however, had already taught some of us that the questions of "Whose heritage?" and "Who owns the past?" are not so easily answered in a place that has seen too many foreign invasions, both scholarly and military. ~D 0 0 E cN 0 o lal 7
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