In the German-language literature of the 1960-70s, novelistic prose emerged, which not only narrated about the German identity but also appealed to international solidarity and the formation of historical worldview. The German novel of the second half of the 20th century, associated with the original artistic conception of the history of a yet divided Germany, was given new meaning in the works of such writers as Johannes Bobrowski, Erwin Strittmatter, Franz Fühmann, and Jurek Becker. Bobrowski’s artistic style laid the foundation for a generation of writers following his original creative legacy. Thus, the goal of the study is to consider the perception and rethinking of Bobrowski’s artistic experience by the writers. This manifested in their interpretation of the “multicultural” writer’s creative method, reliving their childhood years, and introducing the reader to the history of their homeland using new literary devices.
Статья посвящена осмыслению ключевых произведений экзистенциализма во французской и немецкой литературе. Сопоставляются романы "Чужой друг" К. Хайна и "Посторонний" А. Камю с целью определения специфики репрезентации экзистенциального сознания. Исследуются образы главных героев, анализируются мотивная структура, жанровые особенности, техника повествования. Выявляется сходство экзистенциальных мотивов (мотивы смерти, чужого и др.), жанровых и стилистических особенностей и различие художественного мироощущения писателей, проявившееся в трактовках смерти, осознании абсурдности человеческого бытия, проблемы отчуждения. Адрес статьи: www.
The article aims to present the genre-heterogeneous German-speaking writers’ creative work and to determine specificity of expressing the author’s position, artistic worldview in F. Kafka’s, J. Bobrowski’s novelistic work. Scientific novelty of the study lies in considering the synthesis of artistic devices, methods of the German expressionism and early postmodern literature, realised in their creative work and promoting expression of a XX-century man’s worldview and world perception. As a result of the conducted study, the researches have revealed specificity of F. Kafka’s and J. Bobrowski’s worldview principles and their transformation into text’s fabric in works of different genres in the contrastive aspect.
The article tells about works of the famous German writer Johannes Bobrowski (1917Bobrowski ( -1965 born 100 years ago; the world literary community celebrates his 100 anniversary as in 2017. The poetic speech of Bobrowski, difficult for perception, reflected the main perspective of his poetry: history of the people and communication of the person with the nature. Art development of history, author's cycle of stories and two novels of the original narrative technique in the conditions of totalitarian regime and continuous censorship, in many respects predetermined development of a genre of the historical novel in literature of the East German space of the "middle" of the last century. The creativity J. Bobrowski opens the new truth about the German life and history, thereby expanding a framework of art judgment of the past country.
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