Donald Capps stands among a number of pastoral theologians and psychologists of religion who in recent decades have examined the nature of Christian hope. His sustained research on this topic over the entire decade of the 1990s has made his a primary pastoral theological voice on the subject. This article examines how Capps, without declaring a formal method, uses an "artistic approach" to construct a Christian perspective of the hopeful self. Consideration is given to how this understanding of the hopeful self relates to African American young men who feel muted and invisible.
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