Aim: The aim of this research is to identify the Novak’s relationship of ‘liquid architecture and music’ as an approach that diverges from the architecture music relationships that have been built throughout the historical process. Method: In describing the approach, initially, the intellectual and critical foundations and features of liquid architecture were emphasized, and subsequently, its relationship with music was discussed through case studies in comparison to the current relationship between architecture and music. Results: When the current relationships of the architecture and music are evaluated, the attitude apart from the arising sensations and affections doesn’t exist within the relationship of liquid architecture and music. Liquid architecture, which has characteristics such as continuity, timelessness, plurality, poetry and obscurity, acquires the characteristics of the individual varying based on his/her body, senses, perceptions, and emotions as the way of producing architecture. It is claimed that the liquidity approach will influence music and architecture in different ways than is known, and that music will transform into a new form of architecture, while architecture becoming a new form of music. In this context, it extends ‘beyond (trans-)’ the limits of current approaches. Conclusion: The sixth category of methodical approaches in architecture music interaction can be defined as the relationship of liquid architecture and music. The way it relates to music and the way it produces architecture also suggests a direction of development to concrete architecture and virtually warns about renewing its theory and tools.
In a world dominated by the Internet, visibility is becoming increasingly important, and the visibility of architectural firms has also increased with the impact of internationalization. Architectural firms are increasing their visibility, both through the rapid dissemination of information provided by the Internet and by starting to use social media tools. This article explores the relationship between the visibility and the globalization of architectural firms in the year 2022. The article challenges the perception that all well-known/visible architectural firms can be global. The research has two time periods. (before and after 1985, the Internet Revolution). During the data collection phase, 20,942 architectural firms were scanned; a cluster of 522 firms in 49 different countries was formed; 10 different variables were studied in these firms. The 10 variables examined were determined according to the common and majority characteristics of the globalized architectural firms (44 firms) founded before 1985. The investigated variables enabled us to determine the globalization and visibility characteristics of the architectural firms founded after 1985. In the analysis phase, the firms were separated according to their countries (49 countries) and the levels of visibility and globalization were calculated by taking the averages. The levels of visibility and globalization were determined at three levels: low, medium, and high. Not every architectural firm with high visibility has a high level of globalization; it has been determined that every company with a high level of globalization is not visible enough and that there is no homogeneous relationship between globalization and visibility levels. The originality of the research lies in the use of Archdaily, which allows the scanning of 20,942 architectural firms, as a data source and the documentation of its data in 2022.
The 21st century is known for globalisation and rapid transformations in technology. These transformations also affect architecture and the urban environment. Developing projections for the future of architecture is becoming more critical in this era, where the opportunities to adapt to rapid transformations are scarce. This study investigates how to develop future perspectives for the 21st century. Utopian speculations in the historical process and the 20th century's Futurism movement were examined in this regard. A collective and multi-future methodology has been developed as a unique approach. In this paper, a multifuture experimental study was conducted as a daily workshop. In the workshop, seven architecture students from various universities and different architectural education years studied possible future scenarios for Beşiktaş Fish Market. Students were tasked to produce designs in compliance with the chronological timeline of the future for the possible transformation of the Beşiktaş Fish Market. The market, designed by Gökhan Avcıoğlu and GAD in 2009, was accorded the 2012 International Architecture Award and 2014 Archmarathon Crowd. In light of the outcome products obtained from the workshop, it can be stated that a multi-future way of thinking and collective production contributes to imaginative free play in the architectural design process and is a proposal to architecture as a possible preparation for the future.
Mimarlık, disiplinler arasıdır. Disiplinler arasılık, disiplinlerin birbirleriyle etkileşimleri, birbirlerinden beslenmeleri ve çıkan ürünün bileşke disiplinlerin girdilerini içerme durumudur. Mimarlığın ilişki içerisinde olduğu disiplinlerden olan müzik ile arasındaki etkileşim tarih boyunca sorgulanmıştır. Metaforik, analojik ve sayısal tabanlı benzerlikler kurulduğu gibi, daha teknik konularda da ilişkiler kurulmuştur. Kurulan bu bağlantılar figüratif, grafik içeriklidir. Birçok yöntemsel yaklaşım geliştirilmesine rağmen ortak tasarım metotlarının oluşmaması söz konusudur. Dolayısıyla, disiplinler arası içerikte mimarlık ve müzik çakışımının mimarlar, tasarımcılar ve düşünürler tarafından nasıl ele alındığının incelenmesi bu çalışmanın yöntemini oluşturmaktadır. Bu çalışma, Antik Çağ'dan günümüze kadar mimarlık ve müzik arasında kurulan ilişkileri irdeler, mevcut ilişkilerin ötesinde algısal boyutta ve figüratif benzerliklerden uzak, yeni bağlantıların ve yaratıcılığı olumlayabilecek sorgulamaların gerekliliğine işaret eder.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
customersupport@researchsolutions.com
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.