In recent years the issue of touristification has been progressively discussed in relation to its impact on historic towns. In this regard, physical transformations and gentrification consequences are both issues often addressed. In Italy, consciousness on the subject primarily grew in relation to Florence and Venice, both national cases widely discussed also on newspapers. The awareness of a wider range of cases affected by this problem, from big cities to small holiday destinations, is even more recent. The aim of the present paper is to address Capri’s touristification process, which started in the last decades of the nineteenth century and exploded in the second half of the twentieth century, from the point of view of the field of study of history and conservation of cultural heritage and landscape. Therefore, this process and some of its consequences on the island’s cultural landscape and identity are thoroughly analyzed. The paper starts with a brief introduction to the island and its history, which is necessary in order to highlight its rich cultural heritage and the slow pace at which Capri has grown over time as a fishermen island to suddenly transforming into a touristic destination during the last century. Finally, the current touristic vocation and the consequences on Capri’s natural and built environment are discussed, with the aim of individuating if and why there have already been losses and what should be done to prevent this negative process from going on.
Tuff, a sedimentary rock made of volcanic ash, is a traditional building material in the Campania region. Since its foundation Naples’ architecture, whether monumental or vernacular, has been erected in tuff masonry and only the arrival of concrete and steel has meant its downfall. Due to the soft nature of tuff, traditionally the building material was designed to be covered by plaster and very few and monumental architectures, by selecting and sculpting to the purpose the rock, were designed to be fair-faced. In years the exposition to natural and artificial degradation agents has brought a wide variety of deterioration phenomena both on the fair-faced tuff masonry and the ones that had lost plaster. In approaching the restoration of these architectures, the conservator is faced with a challenging task. This is due to the difficulty of balancing the pursue of minimum intervention and authenticity respect, the conservation of the historic consolidated image of the architecture and the necessity of using the best restoration techniques that guarantee the highest conservation of the material in future years, with particular regard to bio-compatible and sustainable materials both for operators and the environment. By analyzing the restoration of various architectures, both archaeological and modern, the paper will address this difficult task and the different decisions made by the conservators in relation to the monuments’ nature, identity, history and status of conservation. The paper is based on a multidisciplinary approach due to the contribution of the expertise of an architect, a restorer and an archaeologist.
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