This chapter focuses on the creation of holy sites in Rome that are comparable in their significance to those in Jerusalem—that is, touched by past sacred events and/or sacred bodies. It maps the reasons for the change of attitude toward Jerusalem in Rome, and makes the argument that once the locally connected holy sites projected into the urban space, especially the local bonding of the sites related to Peter and Paul, it was possible to include Jerusalem in the Roman decorative programs. The discussion concentrates on the dynamic involved in the commemoration of sacred spaces in Rome, from the architecture of the holy sites (Basilica Apostolorum, S. Paolo fuori le mura) to portable objects related to them.
This article discusses a fountain erected in 1988 in memory of the Hildesheim Synagogue at Lappenberg, which was destroyed during Kristallnacht. It traces the relationship between this modern monument and Hildesheim’s rich artistic heritage, mostly from the Middle Ages and centered around the Christian Church. Based on the artists’ choice of technique and materials, as well as on an analysis of some of the monument’s iconography, the layout of its motifs, and its overall composition, the article argues that, although (and because?) the fountain commemorates a synagogue, it must have been expressly designed to evoke Hildesheim’s (Christian) cultural and historical memory so as to elicit the empathy of the local population.
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