Max Blecher, a paradigmatic case of marginality, has been the subject of recent critical reevaluations that established his canonic status in modern Romanian literature. His novel Occurrence in the Immediate Unreality (1936) bears not only the mark of Blecher's affinity with the Avant-garde, but of his intense and original perception of issues pertaining to identity and the construction of the self. His status as a Jewish writer struggling for authenticity and recognition in the complex historical context preceding World War II and the instauration of Communism adds depth and detail to a dramatic biography lying in the background of his fiction. Peripheral spaces, childhood and immaturity, the revelation of sexuality and death become decisive elements in a metaphysical adventure that is simultaneously an initiation and a metamorphosis. A narrative that validates the author's Surrealist lineage, Occurrence in the Immediate Unreality favors a comparative perspective that equally connects Max Blecher to a Central and Eastern-European framework.
"Narratives of a Struggle: The Experience of Assisted Reproductive Medicine in Online Infertility Communities. Although ART (assisted reproductive technology) has become a well-established field in modern medicine, the subject is still taboo in many modern societies. This prompted infertility patients (roughly 15-20% of the general adult population) to find online platforms to discuss options, treatments, experiences and create virtual communities – mainly forums and Facebook groups. I shall focus on aspects concerning the narratives of trauma, loss and empowerment in two online communities - Infertilitate. Fertilizare in vitro. Sustinem Asociatia SOS Infertilitatea (Infertility. In vitro fertilization. We support the SOS Infertility Association) and Fertility Friends, from two different geographical areas – the UK and Romania, in order to reveal the dynamics of advice giving, information sharing, experience narratives and patient support. Communication is paramount to infertility treatment, yet specialized clinics often underestimate the importance of this aspect. Online forums and social media have provided patients with opportunities to connect, shaping particular jargons and textual strategies with regard to the medical journey of ART. I intend to outline the structure and relevance of these verbal constructs, in order to explore the specific manner in which online platforms offer a valid environment for a positive exchange of information among ART patients while also creating a medium of emotional support. My interdisciplinary focus will involve methods specific to medical humanities, text and discourse analysis and linguistic commentary. Keywords: assisted reproduction, infertility, loss, online communities, support groups, trauma "
Little girls and young women are Dorothea Tanning’s recurrent archetypes, defining and structuring her conceptual archive concerning gender and the feminine. A celebrated painter and sculptor who shaped her artistic vision in the proximity of the historical avant-gardes, Tanning was also a writer who revealed the mystery and estrangement of family ties in Chasm: A weekend, a novel she started writing in 1943 and published six decades later, in 2004. This singular book offers a privileged dialogue between literature and art, as several episodes revisit and translate the high tension of some of her most representative paintings. From within a feminist framework, the article will discuss aspects of female authority and control in Tanning’s novel as dominant forms of female empowerment, present throughout her visual Surrealist oeuvre. I argue that examining these allegories reveals their role as connectors between the literary and the visual arts, between Dorothea Tanning’s fiction and her painting.
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