Tarihi yapılar; bir toplumun kültürü, mimarisi, sanatı, gelenek ve göreneği, yaşayış biçimi kısacası geçmişe dair tüm birikimleri hakkında bilgi veren önemli eserlerdir. Fakat günümüzdeki hızlı kentleşme ve nüfus artışıyla birlikte çoğu tarihi yapı zarar görerek yok olma tehlikesi ile karşılaşmaktadır. Bu rekabetten kurtulabilen tarihi yapılar ya restorasyona uğramakta ya korunmakta ya da eski kullanımının dışında farklı bir işlevle günümüzde hizmet vermektedirler. Yeniden işlevlendirilen yapılar günümüz yaşantısına katılmaya çalışılmaktadırlar. Geçmişten günümüze birçok medeniyete ev sahipliği yapmış olan Trabzon kenti, kültür ve tarih açısından önemli pek çok tarihi yapıya sahip olmaktadır. Bu yapılardan biri olan Trabzon Mimarlar Odası binası mimarisi ve konumu bakımından önemli olmakla birlikte yapıldığı dönemden günümüze ulaşana kadar farklı işlevlerde hizmet vermiştir. 1996 yılında restorasyona uğrayan ve yeniden işlevlendirilen tarihi bina, eski işlevi olan lojman yerine mimarlar odası, bahçe kafe ve restoran olarak kullanılmaya başlamıştır. Çalışmada, yeniden kullanımda yeni işlev ve işlevin gereksinimleri arasındaki ilişkinin değerlendirilmesi amaçlanmaktadır. Bu kapsamda Mimarlar Odası yerinde gözlem, çizimler ve fotoğraflar ışığında değerlendirilmiştir. Mekân kullanıcılarıyla yapılan yüz yüze görüşmeler ile yapılış amacı dışında günümüz işleviyle varlığını devam ettiren yapının; mekânsal performansının, çevre ve kullanıcılar arasındaki uyumunun ortaya koyulması amaçlanmaktadır.
Design is an artistic fact on its own. To design requires a special creativity. Being creative is all about a person’s different perception level and an exclusive talent. This fact shapes itself with an artistic perception talent. Design constitutes most of the professions’ basis. Among them, there are interior decoration creativity that includes interior design, aesthetic beauty, functionality, spatial organisation, graphic design and industrial design, which reserve many features in itself. Design is important and special because it includes these qualifications. Interior architecture is different from the other kinds in terms of both art and functionality. Indoors can provide artistic value and it can also be resolved as only functional. However, they must have artistic sides in terms of their uniqueness. Indeed, all of the designed things like place, element, shape and fiction can be considered as an artistic value. Perception format or type of expressing what is perceived can change for each person. There can be lots of reasons behind this. Among the most basic ones, current conditions, life styles, customs, spontaneous change of mood and expectations can be taken into account. Differences for each people take shape within a very ordinary time span. In this research, the questions of whether a notion provides different meanings for each people and within the concept of design, how the same notion can be performed and for what purposes it is applied. Based on the research models conducted with 1st grade students in Black Sea Technical University who took the first step for being interior architectures, expressing the artistic dimensions from a notion is aimed. With the help of this research, by examining the models, concepts of design and art are evaluated Keywords: design, art, interior design, design education, boundary concept
Since the first periods of humanity, the reflections of emerging cultures have created the living texture and architecture. The continuing accumulations from older periods transfer a history by layering at certain environments. While these environments which appear as the evidence of development and advancement present the artifacts of previous generations; they create a common language by creating a link between past, today and present. The necessity for protection and transfer of architecture which is the physical reflection of this accumulation, history and culture continuing through ages to the future generations is a clear fact. Preventing the disappearance of historical buildings which show the difference of a geography, country or city from others and create its identity is an important issue for sustainable architecture. When sustainability unites with history and tourism, it can achieve the protection, development and transfer of natural and cultural resources from one generation to the other. For this reason, in the scope of this study, Camii Cedid/St Eugenios Church (Yeni Cuma Mosque) transformed into a mosque after the conquest of the city of Trabzon, which has an important historical texture within its geography, will be examined in terms of the sustainable development it created in the region and the changes it went through
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