This article reports key findings from a comparative survey of the role perceptions, epistemological orientations and ethical views of 1800 journalists from 18 countries. The results show that detachment, non-involvement, providing political information and monitoring the government are considered essential journalistic functions around the globe. Impartiality, the reliability and factualness of information, as well as adherence to universal ethical principles are also valued worldwide, though their perceived importance varies across countries. Various aspects of interventionism, objectivism and the importance of separating facts from opinion, on the other hand, seem to play out differently around the globe. Western journalists are generally less supportive of any active promotion of particular values, ideas and social change, and they adhere more to universal principles in their ethical decisions. Journalists from non-western contexts, on the other hand, tend to be more interventionist in their role perceptions and more flexible in their ethical views.

Surveying 1,700 journalists from seventeen countries, this study investigates perceived influences on news work. Analysis reveals a dimensional structure of six distinct domains—political, economic, organizational, professional, and procedural influences, as well as reference groups. Across countries, these six dimensions build up a hierarchical structure where organizational, professional, and procedural influences are perceived as more powerful limits to journalists' work than political and economic influences.

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The arrival of new actors in the journalistic field increasingly necessitates new conceptual approaches to better understand journalistic work in the digital age. Social network sites have played an important role in these processes, with the rapid emergence of non-traditional actors engaging in activities that may be classified as journalism. Yet, while scholarship on Twitter and Facebook has continually expanded, the visual platform Instagram has received comparatively little attention, despite being an important venue for new forms, particularly in lifestyle journalism. Through an examination of professional lifestyle Instagrammers’ discursive constructions of journalistic boundaries and their role perceptions, this article suggests that in their key values and functional understanding their approach resembles traditional journalistic occupational ideologies, and their role perceptions are very similar to those of lifestyle journalists. The findings contribute to our understanding of transformative processes in journalism more broadly, and their implications for journalistic values, ideals, and practices.

Despite having experienced rapid popularity over the past two decades, lifestyle journalism is still somewhat neglected by academic researchers. So far mostly explored as either part of wider lifestyle programming, particularly on television, or in terms of individual sub-fields, such as travel, fashion or food journalism, lifestyle journalism is in need of scholarly analysis particularly in the area of production, based on the increasing importance which the field has in influencing audiences' ways of life. This study explores the professional views of 89 Australian and German lifestyle journalists through indepth interviews in order to explore the ways in which they engage in processes of influencing audiences' self-expression, identities and consumption behaviors. The article argues that through its work, lifestyle journalism is a significant shaper of identities in today's consumer societies.

Based on a survey of 4,393 journalism students in Australia, Brazil, Chile, Mexico, South Africa, Spain, Switzerland, and the United States, this study provides much-needed comparative evidence about students’ motivations for becoming journalists, their future job plans, and expectations. Findings show not only an almost universal decline in students’ desire to work in journalism by the end of their program but also important national differences in terms of the journalistic fields in which they want to work, as well as their job expectations. The results reinforce the need to take into account national contexts when examining journalism education across the globe.

The news increasingly provides help, advice, guidance, and information about the management of self and everyday life, in addition to its traditional role in political communication. Yet, such forms of journalism are still regularly denigrated in scholarly discussions, as they often deviate from normative ideals. This is particularly true in lifestyle journalism, where few studies have examined the impact of commercial influences. Through in-depth interviews with 89 Australian and German lifestyle journalists, this article explores the ways in which journalists experience how the lifestyle industries try to shape their daily work, and how these journalists deal with these influences. We find that lifestyle journalists are in a constant struggle over the control of editorial content, and their responses to increasing commercial pressures vary between resistance and resignation. This has implications for our understanding of journalism as a whole in that it broadens it beyond traditional conceptualizations associated with political journalism.

Acute crisis events ranging from natural disasters to terrorist incidents now tend to generate an almost immediate response from social media users. This is especially pronounced on Twitter, due to that platform’s specific affordances as a particularly open and real-time medium. While analyses of such events have increased over recent years, we still understand relatively little about the way in which audiovisual materials relating to such crises are circulated and what they contribute to processes of witnessing. This is important, however, in an increasingly visual age when audiovisual material tends to be more widely viewed and shared than plain-text updates, and thus has a greater potential to influence viewers’ interpretations of an event. To address this gap in our understanding, this article investigates the distribution dynamics of audiovisual content on Twitter in the immediate aftermath of terror attacks in Paris and Brussels. Results point to the importance of broadening conceptualisations of conflict-related visuals and the ongoing relevance of affective content in such material. Furthermore, this article argues that contexts of time and space are crucial to consider, as is the role that individual actors – both human and non-human – play in disseminating such content.