Malaysian textile motifs especially the Batik motifs and its product are highly potential to sustain in a global market. The integration of intercultural design of Malaysian textile motifs and Japanese textile motifs will further facilitate both textile industries to be sustained and demanded globally. Besides, Malaysian and Japanese textile motifs can be creatively design on other platforms not limited to the clothes. Therefore, this study is carried out with the aim of integrating the Malaysian textile motifs specifically focuses on batik motifs and Japanese textile motifs through product diversification. This study focuses on integrating both textile motifs and diversified the design on a home décor including wall frame, table clothes, table runner, bed sheets, lamp shades and other potential home accessories. In this concept paper, literature search was conducted to describe about the characteristics of both Malaysian and Japanese textile motifs and also to reveal insights about the practicality and the potential of combining these two worldwide known textile industries. The investigation was conducted to explore new pattern of the combined textiles motifs. The new combined pattern is visually presented as an outcome of this study. An integration of Malaysian and Japanese textile motif aims to strategize the coverage of Malaysian and Japanese textile motifs in a global market. This idea may also contribute to the new opportunities for Malaysian and Japanese textile producers in expanding their design not merely on the clothes fabric but also towards the home decor fabric design. This will turn into additional profit making and increasing economic growth of both countries as well as expanding the traditional textiles industry.
This study aims to examine the meaning and style of satire delivery through comics and cartoons websites by making the theme of the Covid-19 pandemic uploaded through social media. Apart from that, the researcher will trace the history of the beginning of cartoons and comics in Malaysia starting from the pre-independence and post-independence era in brief until the era of digitization. The approach of this study and writing is to understand the appreciation of the form and meaning of the work and also the context of its production. Using art history methodology based on contextual analysis is the basis of this study. Includes aspects of description, analysis, interpretation, and consideration used as a guide in the research of the work. Apart from that, there are also themes related to cultural and social aspects which are very close to the souls of Malaysians by using Edmund Burke Feldman's method of analysis. The findings of this study indicate that advances in the use of technology do not ignore the link between the visual art of website cartoons and current issues plaguing the world.
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