Book Reviews 1155 works would reveal the impossibility of dissociating these events from their disappointing outcomes. "Thick description," with all of the "non-art" factors that figure into it, offers an effective means to understand the unfortunate aesthetic results so often cited.Senie is, however, less concerned with the history of public art than with its future. She seeks to stir debate that will help revitalize public sculpture as a positive cultural force. Her book succeeds admirably in initiating this task.
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