In many communities across the United States, substantive local news is a rare commodity. For areas long stigmatized and associated with high levels of violence, crime, and poverty, negative reporting may be the only local news available. Drawing from communication infrastructure theory and literature on local news audiences and civic journalism, this study explores how a local solutions journalism project is received by members of an underrepresented and stigmatized community. Solutions journalism stories focus on responses to social problems, usually exploring problem-solving efforts that have the potential to be scaled. This case examines how participants in six focus groups with 48 African-American and Latino South Los Angeles residents responded to solutions-oriented stories produced by a local media project. Study findings illustrate how residents navigate and critically interpret local media coverage, and how their response to ‘solutions journalism’ is largely positive but tempered by concerns regarding structural inequalities.
Between 1844 and 1896, two archetypal figures on horseback known as rancheros and chinacos were disseminated through print publications. As war with the United States loomed in 1844, a relatively obscure Mexican writer depicted the ranchero as a “true national type” in a popular magazine. Eighteen years later another archetype on horseback, the chinaco, appeared in newspaper propaganda designed to provoke resistance against an imminent French advance into the Mexican interior. Later writers, such as Justo Sierra and Antonio García Cubas, imbued such figures with racialized mestizo qualities and heroic martial traits, equating mestizo blood with strength and martial capabilities that could build a more advanced Mexican state. The depiction of both figures as of mixed-race origins was a popular perception that carried over into the Porfirian years. This article traces the origins of these figures in popular reading during the years in which Mexico dealt with war with the United States, a civil war, and finally the French Intervention. Through an analysis of popular reading and intellectual commentaries, supplemented by archival research, mestizaje as a foundational concept of Mexican nationhood is traced to these early depictions. Entre 1844 y 1896, las publicaciones impresas de México difundieron dos figuras arquetípicas a caballo, conocidas como rancheros y chinacos. Cuando se avecinaba la guerra con Estados Unidos, un oscuro escritor mexicano describió al ranchero como un “verdadero tipo nacional” en una revista popular. Dieciocho años más tarde, otro arquetipo a caballo, el chinaco, apareció en la propaganda periodística diseñada para incitar a la resistencia contra un inminente avance francés hacia el interior de México. Más adelante, escritores como Justo Sierra y Antonio García Cubas infundieron tales figuras con las cualidades racializadas del mestizo y los rasgos marciales heroicos, equiparando la sangre mestiza con la fuerza y las capacidades marciales necesarias para construir un Estado mexicano más avanzado. La representación de ambas figuras como mezcla de razas constituyó una percepción popular que se mantuvo durante los años del Porfiriato. El presente artículo rastrea los orígenes de estos dos arquetipos en las lecturas populares durante los años en que México libró una guerra contra Estados Unidos, una guerra civil y, finalmente, lidió con la intervención francesa. A través de un análisis de las lecturas populares y los comentarios intelectuales, complementado con una investigación de archivo, se rastrea el origen del mestizaje en cuanto concepto fundacional de la idea de nación mexicana hasta estas representaciones.
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