This article directly resulted from the teacher/researcher experience, describing new analyses resulting from subtitling a film for curriculum incorporation: Tango feroz, la leyenda de Tanguito (1993). Set in Argentina in the sixties and loosely based on the life of José Alberto Iglesias Correa, also known as Tanguito, this film portrays an early exponent of rock nacional argentino . This article contrasts how this film has become known as a film that promotes women’s liberation, transgression of traditional race and class boundaries, and criticism of authoritarian neoliberal regimes, yet an analysis of the film’s dialogue and aesthetics reveals a double-register pregnant with ambiguity, in particular regarding the role of neoliberalism in Argentina’s national economy.
Este artículo analiza el fenómeno del asociacionismo de los ciegos en la España Moderna, que se materializó en la fundación de hermandades en un buen número de ciudades entre los siglos XIV y XVI. Además de ofrecer, por primera vez, un panorama general de la red de cofradías que florecieron en territorio hispánico, se analizan sus primeros siglos de andadura, en los que las finalidades caritativas y asistenciales que persiguieron en sus orígenes fueron pronto sustituidas por otras de tipo profesional, cuando estas corporaciones consiguieron obtener del poder civil el monopolio sobre el rezo ambulante de oraciones. Se estudia el proceso de concesión de este privilegio, la regulación profesional a la que los ciegos sometieron el rezo y las razones que pudieron impulsar al poder a favorecer de este modo a los ciegos.
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