Fewer than 200 radiocarbon (14C) dates with secure contextual information are available for Cuba, making it challenging to reconstruct Caribbean indigenous population dynamics, their identities and interactions. In this paper, we discussed 21 accelerator mass spectrometry (AMS) 14C dates from two mounds (M1 and M2) at the Playa del Mango site (Granma province, Cuba), traditionally associated with the Banwaroid stone tool tradition. The ΔR calculated for the site was –132.0 ± 176 and –164.0 ± 68. The chronology of burials from the peripheral area of M2 suggested that the cemetery was continuously used from at least cal BC 116–AD 241 (2 σ). The domestic area of M2 was used at minimum between cal BC 55–AD 435 (2 σ), which encompasses the use of the funerary areas. An isolated human tooth from M1 [cal AD 125–435 (2 σ)] suggested that this funerary area is later than the one at the periphery of M2, and possibly contemporaneous with the later formation of the M2 shell midden. The archaeological assemblage of the “Banwaroid tradition” is widely distributed in Cuba, and mixed with other archaeological traditions, supporting that a complex web of human interactions took place in the Caribbean in precolonial times.

The development of digital technologies and the use of advanced photogrammetry programs for modeling archaeological excavations and sites have opened new possibilities for spatial analysis in archaeology and the reconstruction of archaeological contexts. In addition, these tools allow us to visually preserve the features of archaeological sites for future use and facilitate the dissemination of archaeological heritage to local communities and the general public. This paper summarizes 3D photographic visualization of three cave art sites (Los Cayucos and Cueva No. 1 in Punta del Este, Cuba, and José María Cave in the Dominican Republic) and two burial spaces (Canímar Abajo and Playa del Mango, Cuba) using photogrammetry software. The application of these novel methods at the cave art sites allowed us to visualize faint pictographs that were invisible to the naked eye, to better define the shapes of petroglyphs and to reconstruct the position of lost/removed panels. At the burial sites, 3D modeling allowed us to register the archaeological context with greater precision. The use of 3D modeling will improve spatial analysis and data safeguarding in Cuban archaeology. Moreover, 3D movies are an effective way to disseminate knowledge and connect local communities with their cultural heritage, while reducing the impact of public visits to remote or endangered sites.