Searching for an object within a cluttered, continuously changing environment can be a very time-consuming process. The authors show that a simple auditory pip drastically decreases search times for a synchronized visual object that is normally very difficult to find. This effect occurs even though the pip contains no information on the location or identity of the visual object. The experiments also show that the effect is not due to general alerting (because it does not occur with visual cues), nor is it due to top-down cuing of the visual change (because it still occurs when the pip is synchronized with distractors on the majority of trials). Instead, we propose that the temporal information of the auditory signal is integrated with the visual signal, generating a relatively salient emergent feature that automatically draws attention. Phenomenally, the synchronous pip makes the visual object pop out from its complex environment, providing a direct demonstration of spatially nonspecific sounds affecting competition in spatial visual processing.

To combine information from different sensory modalities, the brain must deal with considerable temporal uncertainty. In natural environments, an external event may produce simultaneous auditory and visual signals yet they will invariably activate the brain asynchronously due to different propagation speeds for light and sound, and different neural response latencies once the signals reach the receptors. One strategy the brain uses to deal with audiovisual timing variation is to adapt to a prevailing asynchrony to help realign the signals. Here, using psychophysical methods in human subjects, we investigate audiovisual recalibration and show that it takes place extremely rapidly without explicit periods of adaptation. Our results demonstrate that exposure to a single, brief asynchrony is sufficient to produce strong recalibration effects. Recalibration occurs regardless of whether the preceding trial was perceived as synchronous, and regardless of whether a response was required. We propose that this rapid recalibration is a fast-acting sensory effect, rather than a higher-level cognitiveprocess.Anaccountintermsofresponsebiasisunlikelyduetoastrongasymmetrywherebystimuliwithvisionleadingproducebigger recalibrations than audition leading. A fast-acting recalibration mechanism provides a means for overcoming inevitable audiovisual timing variation and serves to rapidly realign signals at onset to maximize the perceptual benefits of audiovisual integration.

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BackgroundA prevailing view is that audiovisual integration requires temporally coincident signals. However, a recent study failed to find any evidence for audiovisual integration in visual search even when using synchronized audiovisual events. An important question is what information is critical to observe audiovisual integration.Methodology/Principal FindingsHere we demonstrate that temporal coincidence (i.e., synchrony) of auditory and visual components can trigger audiovisual interaction in cluttered displays and consequently produce very fast and efficient target identification. In visual search experiments, subjects found a modulating visual target vastly more efficiently when it was paired with a synchronous auditory signal. By manipulating the kind of temporal modulation (sine wave vs. square wave vs. difference wave; harmonic sine-wave synthesis; gradient of onset/offset ramps) we show that abrupt visual events are required for this search efficiency to occur, and that sinusoidal audiovisual modulations do not support efficient search.Conclusions/SignificanceThus, audiovisual temporal alignment will only lead to benefits in visual search if the changes in the component signals are both synchronized and transient. We propose that transient signals are necessary in synchrony-driven binding to avoid spurious interactions with unrelated signals when these occur close together in time.

Even though it is undisputed that prior information regarding the location of a target affects visual selection, the issue of whether information regarding nonspatial features, such as color and shape, has similar effects has been a matter of debate since the early 1980s. In the study described in this article, measures derived from signal detection theory were used to show that perceptual sensitivity is affected by a top-down set for spatial information but not by a top-down set for nonspatial information. This indicates that knowing where the target singleton is affects perceptual selectivity but that knowing what it is does not help selectivity. Furthermore, perceptual sensitivity can be enhanced by nonspatial features, but only through a process related to bottom-up priming. These findings have important implications for models of visual selection.

Recent work from several groups has shown that perception of various visual attributes in human observers at a given moment is biased toward what was recently seen. This positive serial dependency is a kind of temporal averaging that exploits short-term correlations in visual scenes to reduce noise and stabilize perception. To date, this stabilizing "continuity field" has been demonstrated on stable visual attributes such as orientation and face identity, yet it would be counterproductive to apply it to dynamic attributes in which change sensitivity is needed. Here, we tested this using motion direction discrimination and predict a negative perceptual dependency: a contrastive relationship that enhances sensitivity to change. Surprisingly, our data showed a cubic-like pattern of dependencies with positive and negative components. By interleaving various stimulus combinations, we separated the components and isolated a positive perceptual dependency for motion and a negative dependency for orientation. A weighted linear sum of the separate dependencies described the original cubic pattern well. The positive dependency for motion shows an integrative perceptual effect and was unexpected, although it is consistent with work on motion priming. These findings suggest that a perception-stabilizing continuity field occurs pervasively, occurring even when it obscures sensitivity to dynamic stimuli.

Millions of people use online dating sites each day, scanning through streams of face images in search of an attractive mate. Face images, like most visual stimuli, undergo processes whereby the current percept is altered by exposure to previous visual input. Recent studies using rapid sequences of faces have found that perception of face identity is biased towards recently seen faces, promoting identity-invariance over time, and this has been extended to perceived face attractiveness. In this paper we adapt the rapid sequence task to ask a question about mate selection pertinent in the digital age. We designed a binary task mimicking the selection interface currently popular in online dating websites in which observers typically make binary decisions (attractive or unattractive) about each face in a sequence of unfamiliar faces. Our findings show that binary attractiveness decisions are not independent: we are more likely to rate a face as attractive when the preceding face was attractive than when it was unattractive.

Multisensory interactions are well established to convey an array of perceptual and behavioral benefits. One of the key features of multisensory interactions is the temporal structure of the stimuli combined. In an effort to better characterize how temporal factors influence multisensory interactions across the lifespan, we examined audiovisual simultaneity judgment and the degree of rapid recalibration to paired audiovisual stimuli (Flash-Beep and Speech) in a sample of 220 participants ranging from 7 to 86 years of age. Results demonstrate a surprisingly protracted developmental time-course for both audiovisual simultaneity judgment and rapid recalibration, with neither reaching maturity until well into adolescence. Interestingly, correlational analyses revealed that audiovisual simultaneity judgments (i.e., the size of the audiovisual temporal window of simultaneity) and rapid recalibration significantly co-varied as a function of age. Together, our results represent the most complete description of age-related changes in audiovisual simultaneity judgments to date, as well as being the first to describe changes in the degree of rapid recalibration as a function of age. We propose that the developmental time-course of rapid recalibration scaffolds the maturation of more durable audiovisual temporal representations.