This study investigates the portrayal of women in contemporary Nollywood films, using Isoken (2017) and King of Boys (2018) as case studies. The objective was to highlight the various ways in which women in the films are portrayed to viewers and ascertain whether contemporary Nollywood movies are an improvement on the issues of gender stereotypes and sexism which are hitherto prevalent in the industry. Anchored on the cultivation theory, the study adopted the qualitative content analysis method. Findings showed that women in the studied films are negatively portrayed in various ways and that these portrayals are, at best, parallel to the stereotypical ways in which women were portrayed in previous Nollywood movies. Taking cognizance of the fact that both films are directed by women, the researcher recommends that Nollywood female directors should look beyond the lenses of financial gains and set a pace with regards to changing the narrative and portraying Nigerian women in a positive light.
The debate about media convergence and its relevance in Nigeria is ongoing. This study contributes to the discussion by examining how this critical construct impacts the broadcasting practice in Edo State, one of the country's 36 political subdivisions. The work adopts the mixed research method to investigate 100 survey respondents and interview three discussants, which helps to generate the requisite data. Findings reveal that convergence has significantly influenced broadcasting practice, and this influence is more positive than negative. The findings also show that media convergence creates additional and better opportunities, as more distribution channels for broadcast content emerge. These developments, however, may remain unsustainable if the stakeholders do not address the identified challenges appropriately. The government of Edo State can play a leading role in addressing those challenges.
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