The method of constructing dialogical relations between the regional edition and the all-Russian cultural discourse is considered. On the material of the pre-revolutionary issues of the Kharkov newspaper “Southern Edge” (1900–1905; 1914–1917), conclusions are drawn about the poetics of the “anniversary cycles” dedicated to honoring the memory of N.V. Gogol, V.A. Zhukovsky, N.A. Nekrasov, A.P. Chekhov and other Russian and foreign writers. The scientific novelty of the work lies in the attempt to discover patterns in the coverage of literary celebrations on the pages of the provincial press. The relevance of the paper is due to the fact that the study of the representation of general literary phenomena in the “Southern Edge” makes it possible to identify forms of communication between Russian literature and journalism at the beginning of the 20th century. Particular attention is paid to the genres and speech design of the anniversary cycles. The classification and plots of materials that are receptive in relation to the literary canon of the 19th century are presented. The key substantive aspects in the actualization of the works are highlighted: “Demon”, “Who is happy in Russia”, “The Government Inspector”, “Dead Souls” etc. The functional nature of the interpretation of the classics and coverage of anniversary celebrations is determined: enlightening readers, building links with the capital's periodicals, entry into the common cultural space of Russia and Europe, the formation of historical and literary memory.
The phenomenon of the undefined status of literary criticism leads to a lack of clarity in its terminological apparatus. In particular, there is no unity on the issue of what to consider as the plot of a literary-critical utterance, as well as how to determine its motivational structure, or to identify a set of semantic fields. The subject of this research is the literary category of the chronotope, which is used to analyze the poetics of a critical text. This study was carried out on the basis of the collections of I.I. Vinogradov (1930-2015) “Like bread and water. Art in Our Life” (1963), “Art. True. Realism” (1975), “On a living track. Spiritual Searches of Russian Classics” (1987) with the involvement of textual criticism, biographical data and evidence of the historical context. Despite the artificiality of dividing the chronotope as dominant uniting texts, each of its parts is consistently characterized in order to accomplish the most complete presentation. Space, not in physical, but in textual terms, is understood as a set of factors that bind articles together at a formal level (genre format, heading complexes, typography design). The author's image is viewed as multifunctional: it builds an internal connection and a storyline. The functions of the chronological aspect are also shown: responsibility for the historical, cultural and biographical contexts, dating, meaningful transformation of articles. The conclusion deals with the possibility of using a complex view of the totality of chronotopic characteristics of judgment and the methodological preferences of the critic as a whole.
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