Knowledge format is a construct for information storing, accumulating, transmitting. Text and discourse are studied as main knowledge formats. Previous studies have found the literary text is defined as a product of writer’s speech-thinking activity. Discourse is interpreted as a text immersed in a communicative situation. The construction specific features of text and discourse are revealed through their modeling as an objective way of knowledge formats architectonics visualising. Literary text is considered in the form of conceptual domain as a set of literary concepts wich are correlated with writer’s text world. There are two types of writer’s text world models such as monomodel and polymodel. It is proved that monomodel text world is the plot-thematic unity of all literary conceptual domain which the writer creates. The polymodel text world consists of the plot-thematic correlation of literary dominant concepts formed according to different themes. Both monomodel and polymodel text worlds are the base for literary discourse forming. Monomodel text world is the base for monomodel literary discourse. Polymodel text world is the base for polymodel one’s. The research of text and discourse models of knowledge formats is the optimal interpretative way to discover the patterns of knowledge existence.
Contemporary discourse modeling is the complex research methodology having many scientific algorithms. Every step of this discourse modeling methodology has the specific scientific purpose. The unity of these scientific purposes is the base to identify discourse modeling evolution steps. Modeling of political discourse and TV-discourse as the most manipulative discursive types realizes so important scientific problems to create socio-cultural model of society. The discourse model of society discovers reasons and results of transformation in discourse formations. Our discourse modeling methodology is discovering the specific feature of transformation in political discourse and TV-discourse's formations. The majority of discursive modeling strategies are based on the socio-cultural factors, and it should be noted that both the political and movie discourses are interrelated with them, and most frequently represented as cultural realities in discursive modeling. Formulation of discourse modeling strategies is one of the ways to identify the specific features of evolution's steps onto discourse socio-cultural model`s development.
Аннотация. Цель исследования заключается в обосновании принципов построения модели текстового мира как динамичного формата знания, представляющего собой совокупность трех информативных конструктов: (1) концептосферы текста, (2) концептосфер читателей и (3) интерпретативного поля текстового мира как сопряжения когнитивных аттракторов концептосферы текста и концептосфер читателей. Научная новизна исследования определяется тем, что впервые предложен алгоритм построения модели текстового мира в виде триады взаимообусловленных информативных конструктов; посредством авторского алгоритма моделирования текстового мира впервые описана специфика текстового мира, образованного на основе романа М. Митчелл «Унесенные ветром». В результате доказано, что применение авторского алгоритма построения модели текстового мира позволило комплексно охарактеризовать специфику функционирования модели текстового мира романа М. Митчелл «Унесенные ветром», что пополнило теоретико-методологическую базу когнитивной поэтики.
The article deals with the prolific creative period of the prominent Argentine prose writer of the twentieth century Adolfo Bioy Casares - 1940-s. This is the time when his original artistic style was formed, which is studied in the context of the interrelation of elements and features, inherent in both popular and “elevated” literature. The analysis of the novel The Invention of Morel (1940) and the short story In Memory of Pauline (1948) allows us to trace how in Bioy Casares’s prose the features of the crime fiction genre are organically combined with philosophical fiction, and what enriching imprint on this artistic experiment has been left by the collaboration of the writer with Jorge Luis Borges and Silvina Ocampo.
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