13Coral reefs are characterized by high biodiversity and evidence suggests that reef soundscapes 14 reflect local species assemblages. To investigate how sounds produced on a given reef relate to 15 abiotic and biotic parameters and how that relationship may change over time, an observational 16 study was conducted between September 2014 and January 2016 at seven Hawaiian reefs that 17 varied in coral cover, rugosity, and fish assemblages. The reefs were equipped with temperature 18 loggers and acoustic recording devices that recorded on a 10% duty cycle. Benthic and fish 19 visual survey data were collected four times over the course of the study. On average, reefs 20 ranged from 0 to 80% live coral cover, although changes between surveys were noted, in 21 particular during the major El Niño-related bleaching event of October 2015. Acoustic analyses 22 focused on two frequency bands (50-1200 Hz and 1.8-20.5 kHz) that corresponded to the 23 dominant spectral features of the major sound-producing taxa on these reefs, fish and snapping 24 shrimp, respectively. In the low-frequency band, the presence of humpback whales (December-25 May) was a major contributor to sound level, whereas in the high-frequency band sound level 26 closely tracked water temperature. On shorter timescales, the magnitude of the diel trend in 27 sound production was greater than that of the lunar trend, but both varied in strength among 28 reefs, which may reflect differences in the species assemblages present. Results indicated that the 29 magnitude of the diel trend was related to fish densities at low frequencies and coral cover at 30 high frequencies; however, the strength of these relationships varied by season. Thus, long-term 31 acoustic recordings capture the substantial acoustic variability present in coral-reef ecosystems 32 and provide insight into the presence and relative abundance of sound-producing organisms. 33 34

Approximately half of the North Pacific humpback whale Megaptera novaeangliae stock visits the shallow waters of the main Hawaiian Islands seasonally. Within this breeding area, mature males produce an elaborate acoustic display known as song, which becomes the dominant source of ambient underwater sound between December and April. Following reports of unusually low whale numbers that began in 2015/16, we examined song chorusing recorded through long-term passive acoustic monitoring at 6 sites off Maui as a proxy for relative whale abundance between 2014 and 2019. Daily root-mean-square sound pressure levels (RMS SPLs) were calculated to compare variations in low-frequency acoustic energy (0-1.5 kHz). After 2014/15, the overall RMS SPLs decreased between 5.6 and 9.7 dB re 1 µPa2 during the peak of whale season (February and March), reducing ambient acoustic energy from chorusing by over 50%. This change in song levels co-occurred with a broad-scale oceanic heat wave in the northeast Pacific termed the ‘Blob,’ a major El Niño event in the North Pacific, and a warming period in the Pacific Decadal Oscillation cycle. Although it remains unclear whether our observations reflect a decrease in population size, a change in migration patterns, a shift in distribution to other areas, a change in the behavior of males, or some combination of these, our results indicate that continued monitoring and further studies of humpback whales throughout the North Pacific are warranted to better understand the fluctuations occurring in this recently recovered population and other populations that continue to be endangered or threatened.

Soundscapes offer rich descriptions of composite acoustic environments. Characterizing marine soundscapes simply through sound levels results in incomplete descriptions, limits the understanding of unique features, and impedes meaningful comparisons. Sources that contribute to sound level metrics shift in time and space with changes in biological patterns, physical forces, and human activity. The presence of a constant or chronic source is often interwoven with episodic sounds. Further, the presence and intensity of sources can influence other sources, calling for a more integrated approach to characterizing soundscapes. Here, we illustrate this complexity using data from a national-scale effort, the Sanctuary Soundscape Monitoring Project (SanctSound), an initiative designed to support collection of biological, environmental, and human use data to compliment the interpretation of sound level measurements. Using nine examples from this diverse dataset we demonstrate the benefit of integrating source identification and site features to interpret sound levels across a diversity of shallow water marine soundscapes (<150 m). Sound levels from sites in high human use areas reflect the anthropogenic influences on the soundscape, especially when measuring broad frequency bands, whereas sites with relatively low human activity and high sound levels reveal biological features of the soundscape. At sites with large tidal changes, sound levels correlated with the magnitude of tidal flow, and sound levels during high tidal flow periods were similar to sound levels at sites near commercial shipping lanes. At sites in relatively close proximity (<30 km), sound levels diverge because of the presence of different proximate sound contributors and propagation features of the site. A review of emerging methodologies for integrated soundscape analysis, including acoustic scenes, provides a framework for interpreting soundscapes across a variety of conditions. With a global growth in monitoring efforts collecting standardized measurements over widely distributed arrays, more integrated methods are needed to advance the utility of soundscapes in marine resource management.

Passive acoustic monitoring (PAM) with autonomous bottom-moored recorders is widely used to study cetacean occurrence, distribution and behaviors, as it is less affected by factors that limit other observation methods (e.g., vessel, land and aerial-based surveys) such as inclement weather, sighting conditions, or remoteness of study sites. During the winter months in Hawai‘i, humpback whale male song chorusing becomes the predominant contributor to the local soundscape and previous studies showed a strong seasonal pattern, suggesting a correlation with relative whale abundance. However, the relationship between chorusing levels and abundance, including non-singing whales, is still poorly understood. To investigate how accurately acoustic monitoring of singing humpback whales tracks their abundance, and therefore is a viable tool for studying whale ecology and population trends, we collected long-term PAM data from three bottom-moored Ecological Acoustic Recorders off west Maui, Hawaii during the winter and spring months of 2016–2021. We calculated daily medians of root-mean-square sound pressure levels (RMS SPL) of the low frequency acoustic energy (0–1.5 kHz) as a measure of cumulative chorusing intensity. In addition, between December and April we conducted a total of 26 vessel-based line-transect surveys during the 2018/19 through 2020/21 seasons and weekly visual surveys (n = 74) from a land-based station between 2016 and 2020, in which the location of sighted whale pods was determined with a theodolite. Combining the visual and acoustic data, we found a strong positive second-order polynomial correlation between SPLs and abundance (land: 0.72 ≤ R2 ≤ 0.75, vessel: 0.81 ≤ R2 ≤ 0.85 for three different PAM locations; Generalized Linear Model: pland ≪ 0.001, pvessel ≪ 0.001) that was independent from recording location (pland = 0.23, pvessel = 0.9880). Our findings demonstrate that PAM is a relatively low-cost, robust complement and alternative for studying and monitoring humpback whales in their breeding grounds that is able to capture small-scale fluctuations during the season and can inform managers about population trends in a timely manner. It also has the potential to be adapted for use in other regions that have previously presented challenges due to their remoteness or other limitations for conducting traditional surveys.