Despite increasing attention to the preservation and development of sound archives in academic research and cultural heritage institutions, they are yet to be more substantially embraced in larger theoretical debates on archival theory and practice. Fraught with contested histories through the legacy of ethnomusicology, rooted in the enterprises of colonial imperialism, now in the era of mass digitization and distribution, many sound collections are attempting to develop ethical and empowering methodologies that support community involvement and a vigorous remediation between sound and visuality. Addressing this confluence of concerns, this article considers the ways in which contemporary digital sound archival projects are encouraging an engagement with cultural history and memory in innovative and complex ways, mobilizing the affordances of digital tools and community-based support material with careful attention to the negotiation between its sonic and visual constituents. Through an analysis of two case studies – The Roaring ‘Twenties and Smoke Signals Radio Show Archive – this article examines how contemporary digital archival projects activate and remediate sonic documents and their contextual counterparts to invite a diverse, multifaceted, and multi-sensory encounter with history, memory, knowledge, and the past.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
hi@scite.ai
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.