This is a review of Banu Subramaniam's monograph, Ghost Stories for Darwin: The Science of Variation and the Politics of Diversity (University of Illinois Press, 2014).
Stuart Hall, a founding scholar in the Birmingham School of cultural studies and eminent theorist of ethnicity, identity and difference in the African diaspora, as well as a leading analyst of the cultural politics of the Thatcher and post-Thatcher years, delivered the W. E. B. Du Bois Lectures at Harvard University in 1994. In the lectures, published after a nearly quarter-century delay as The Fateful Triangle: Race, Ethnicity, Nation (2017), Hall advances the argument that race, at least in North Atlantic contexts, operates as a 'sliding signifier, ' such that, even after the notion of a biological essence to race has been widely discredited, race-thinking nonetheless renews itself by essentializing other characteristics such as cultural difference. Substituting Michel Foucault's famous power-knowledge dyad with power-knowledge-difference, Hall argues that thinking through the fateful triangle of race, ethnicity and nation shows us how discursive systems attempt to deal with human difference. Part I of the forum critically examines the promise and potential problems of Hall's work from the context of North America and western Europe in the wake of #BlackLivesMatter and Brexit. Donna Jones suggests that, although the Birmingham School's core contributions shattered all certainties about class identity, Hall's Du Bois Lectures may be inadequate to a moment when white racist and ethno-nationalist appeals are ascendant in the USA and Europe and that, therefore, his and Paul Gilroy's earlier work on race and class deserve our renewed attention. Kevin Bruyneel examines Hall's work on race in relation to three analytics that foreground racism's material practices: intersectionality, racial capitalism and settler colonialism. William Garcia in the final contribution asks us to think about the anti-immigrant black nativisms condoned and even encouraged by discourses of African-American identity and by unmarked references to blackness in the US context. In 'Fateful Triangles in Brazil, ' Part II of Contexto Internacional's forum on The Fateful Triangle, three scholars work with and against Hall's arguments from the standpoint of racial politics in Brazil.
Once we grasp Bergson’s new conception of an intuitive metaphysics premised on a distance from action, it seems unlikely that a connection could be found between this metaphysics and an activist philosophy of war. In this essay I shall revisit Bergson’s metaphysics to see how they could have been understood to provide support for war. I discuss how Bergson’s metaphysics by way of its number theoretical understanding of oneness was thought to mirror or express the limit experience of war that attracted many intellectuals hungry for a shattering of conventional limits on what held up as reality. Finally I suggest that Bergson subtly changed his understanding of the élan vital in the course of the Great War, compromising in the process its initially non-teleological character in order to ensure that his doctrines would only be implicated in international peace, not jingoistic war propaganda.
This brief review essay focuses on the central question posed in Ewa Plonowska Ziarek’s Feminist Aesthetics and the Politics of Modernism: if feminism is considered in social and biographical terms while aesthetics focuses on questions of form and abstraction, does a feminist aesthetics become inconceivable? This question is examined in light of the traditional divide in modernist studies between aesthetics and the political.
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