The water is suspected of remobilizing pigments of prehistoric painting into small worm-like heaps named vermiculations. To preserve these artworks, the moisture content of pigments must be monitored. Due to the fragility of the paintings and the technical constraints on the in-situ measurements, colour measurement is proposed as a noninvasive way to access humidity. This study aims at characterizing more precisely the influence of the moisture content on the optical behaviour of yellow ochre. The light reflected by the surface of drying ochre is measured with a gonio-spectroradiometer. A scenario is proposed: the water saturation at high moisture contents is connected to the presence of a specular radiation which brings a loss of chromatic information. The evaporation of water brings the disappearance of the specular radiation and the augmentation of the diffuse radiation. These first results are promising for the development of a non-destructive in situ method of moisture measurement.
International audienceThis work was conducted in the context of perceptually realistic image simulations of paint materials. These simulations aim at producing the same visual response in an observer as real objects given certain illumination and observation conditions. The colorimetric validation ensures that the colors in the simulated images differ from the real scene below a given threshold and human observers cannot discern between them. Most existing validations use the direct approach of comparing renderings with real scenes and are usually briefly described. We propose a colorimetric validation using radiometrically calibrated photographs as valid perceptual references of the real scene, which avoids taking spectral measurements of the scene. This paper details important methodological aspects, providing objective validation results for a Macbeth color chart and a sample paint coating. Our results show that we can achieve xyxy chromaticity differences under 3%, relative luminance differences under 5%, and CIEDE2000 differences under 10% for the Macbeth chart. In the case of a sample paint coating, achieved chromaticity differences are under 11% and average luminance and CIEDE2000 differences are under 1%. Validation by visual inspection is not addressed here
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