Problematyka związana z adaptacją obiektów sakralnych do nowych funkcji pojawia się w Europie coraz częściej. W artykule omówiono przyczyny desakralizacji – zjawiska sekularyzacji i laicyzacji społeczeństwa, a także jej następstwa – problematykę zniesienia święceń z kościoła czyli eskksekrację, która została zanalizowana w świetle zapisów Kodeksu Prawa Kanonicznego. Dokonano opisu adaptacji obiektów sakralnych do nowych funkcji na wybranych europejskich przykładach, które pozwoliły na przedstawienie tematyki w najszerszy możliwy sposób.
William Pether (1739–1821) was a painter and skilled draftsman, whose abilities led to his becoming a master of engraving in the mezzotint technique—his prints reproducing works not only by the Dutch masters, such as Rembrandt van Rijn and his pupils Gerrard Dou and Willem Drost, but also by English artists such as Joseph Wright of Derby, Edward Penny, and Richard Hurlstone. An eminent British mezzotint engraver, he was also an underrated painter of miniatures. His artistic activity in this domain has been overlooked by scholars, who have focused on his print production; this study considers all extant miniatures produced by the artist during the period 1760–1820. The aim of this article is to present as many as possible known miniatures painted by this artist and to determine their proper attribution and dates through the use of stylistic analysis, the graphical-comparative method and handwriting research using available works of art and archival materials in the form of letters written by Pether.
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