Artikel ini merepresentasikan narasi dibalik proyek idelogi negara yang dijalankan secara sistematis melalui program Pedoman Penghayatan dan Pengamalan Pancasila atau yang disingkat dengan istilah P4. Dengan mengunakan pendekatan post-kolonialisme, negara yang mendapatkan kemerdekaanya pasca perang dunia kedua berhadapan dengan wacana kedaulatan yang berjalan melalui penolakan sejarah. Istilah Penolakan dimaksukan oleh penulis sebagai formasi kesadaran dalam mengartikulasikan ideology Negara. Lebih jauh lagi, dengan menggunakan analisis diskursif, penelitian ini berargumentasi bahwa Negara orde baru telah menciptakan wacana teloransi yang disesuiakan dengan konsepsi politik. Selain itu, sakralisasi Pancasila yang menjadi mantra pembangunan merupakan strategi untuk meletakan Negara berdasarkan sentiment promodial kesukuan. Dengan demikian, penelitian ini melihat adanya kompleksitas yang melekat pada cara pandang Negara atas Pancasila sekaligus bagaimana masa depan proses berbangsa dan bernegara tidak dapat sepenuhnya melupakan telorasi dan multlipisitas kebudayaan di Indonesia.
The purpose of this research is to describe the articulation of Osing’s culture on three community radios in Banyuwangi. Understanding language as an identity medium is essential to analyzing underlying cultural dynamics and the crucial vital they play. The Government policy reshaped Osing's identity as an added value to drive regional economic growth. This impacted local, cultural practices. The government created the Osing culture as the primary character used to differentiate them from other cultural practices. Notwithstanding, this research argues that culture is not an entity that can be organized and represented in a monolithic form. Using qualitative methods, this study found that the Osing culture, especially the practice of its language, became a medium of discourse that intertwined with various other cultures. Furthermore, radio has become a space for cultural encounters and a site for cultural submissions that are continually changing and discovering social contexts. Keywords: Osing languages, Osing community radio, Osing representations
The socio-economic characteristics are used in making judgments about the effects of different effects on economic welfare policies. This research focuses on the issue of coffee farming as one of the objectives of the study to create empowered and prosperous farming communities. Thus, the purpose of this study is to describe the socioeconomic characteristics of coffee farmers who have successfully innovated in Jember Regency, to describe and explain the political factors of local government policies in forming social relations between the government, markets and farmers, to describe how the character of the coffee commodity market according to farmers. Market players. This type of research is a mixed method research with quantitative and qualitative approaches. The survey was conducted on coffee farmers in several areas in Jember. A binary logistic model is used to show how these characteristics influence farmers' choice of marketing channels through which to distribute their produce. The results show that increasing the age and income of coffee farmers, the tendency to choose the middleman sales channel increases.
This article examines the ritual traditions that are reconstructed to fit within a tourist agenda in the Blitar Region of Indonesia. The ritual is the purification of Gong Kyai Pradah. Tourism in local areas is a phenomenon that rises with the cultural projects used to create identity. Then, the consequences that arise are the issues of how local elites have touched and absorbed rites in the community's life to represent their power at the site of cultural events. In this case, the rite of tradition has a high historical setting, which is significant in interpreting the discourse of sociocultural changes. Although the changes cannot be rejected, the crucial aspects that need to be highlighted are the elite's strategies and the configurations of power that play roles to determine the sustainability of the ritual. Thus, perspectives are built with the theoretical concept of the theatrics of power and the idea of power in Javanese tradition; hereafter, the thick description method was used as a tool to narrate the heritage governance. Then, this article argues that the clash of elites is formed by the need to maintain their power to gain cultural legitimacy. Nonetheless, the position of elites with their basis of power did not have an equal authority; therefore, the traditional elite became marginalized while the modern elite used their ability to flex their formal, legal power through ritual.
Film realities emerged in multifacet.Two interesting concepts that were tried to be presented in the article were hypereality and refraction of duréé. Both were consequences of digitalization that refered to the rose of virtual space and beyond subject's consciousness.Both also effected audiens consciousness positioning to reality which was appeared. The encounter of those concepts was discussed in images power discourse. By using Barthes's semiology method tocrack and decode visual narative element of film, reality exploration was seen as signs playing and images ideology.Keywords : Hiper-realitas,refractions of duréé,multi-naratif visual film
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