IntroductionOn August 3, 1908, two young French clergymen with a passion for prehistory, the brothers Amédée and Jean Bouyssonie, discovered in a cave near the village of La Chapelle-aux-Sains (Department of Corréze) an almost intact Neanderthal skeleton. Recognizing both the importance of their find and their own inexperience with such fossils, they handed the skeleton to Marcellin Boule, professor of palaeontology at the Muséum national d’histoire naturelle in Paris.
Reconstruction drawings intended to illustrate the realities of prehistoric life can be famously revealing of preconceptions in the minds of the modern illustrator and of the researcher who briefs the illustrator. But are the less interpretative drawings whose purpose is to record the material evidence more neutral in their look? Nineteenth-century technical illustrations of the Neanderthal skull are unintentionally revealing of attitude.
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