El hallazgo de una pintura hasta la fecha dada por perdida y descrita por Juan Agustín Ceán Bermúdez en uno de sus escritos más tempranos, nos permite abordar el análisis de los decisivos años que pasó en Sevilla durante su juventud (1768-1778), así como la invención del artista a quien atribuyó esta pintura, el polémico Francisco Frutet.Palabras clave: Juan Agustín Ceán Bermúdez; Francisco Frutet; Gaspar Melchor de Jovellanos; Frans y Hiëron-ymus Francken.
THE ECCE HOMO THAT CEÁN BERMÚDEZ BOUGHT FOR JOVELLANOSAND ATTRIBUTED TO FRANCISCO FRUTET The discovery of a painting thought to be lost, described by Juan Agustín Ceán Bermúdez in one of his earliest writings, permits the study of the relevant years he spent in Seville during his youth (1768-1778). It also leads to considerations concerning the invention of the imaginary artist to whom he attributed the painting, the controversial Francisco Frutet.
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