O artigo é sobre o sertão que surge na zona de contato entre a obra Grande Sertão: veredas, de João Guimarães Rosa, e a série de reportagens “Sertão Grande”, publicada pelo jornal “Estado de Minas”. O romance de Guimarães Rosa é o pano de fundo para o paralelo econômico estabelecido nas matérias entre o sertão do século XX e o do século XXI. A presença do texto literário na tessitura dos textos jornalísticos, junto ao design editorial, constroem o sertão no limiar entre fato e ficção, através do relato do viajante – seja ele o escritor, seja ele o repórter – e do discurso gráfico da página impressa.
The Multimedia News Agency by to Journalism course of the UEMG -Divinópolis unit and it comes as a proposal and a means for conceptual and practical experiences to take place. In 2016, it began its activities through the voluntary project "Multimedia: the news agency in the promotion of journalistic experiences", recognized by the Internal Program for Incentive to Research and Extension (Proinpe) of the unit of Divinópolis. In the interface between the theory and the practice, the News Agency is configured as a space of extension and search, experimentation and experience, because to product journalist content integrating university and external community..
ResumoO design, percebido enquanto uma linguagem conforme Sudjic (2010), concedeu uma forma singular ao romance Grande Sertão: veredas ao adaptá-lo para graphic novel. Ao transportar o sertão roseano para outro formato, a obra constrói outra identidade para o romance e para a narrativa e é a interação entre esses aspectos e o design, o foco da discussão aqui realizada. O recorte se faz por meio de observações sobre o design gráfico e tem como referências Bonsiepe (2016) e Moraes et.al (2016), para a discussão sobre design e identidade; Ribeiro (2003), em relação à comunicação visual e composição gráfica, e Benjamin (1987) no que se refere à narrativa. O objeto de estudo é composto por quadrinhos da graphic novel Grande Sertão: veredas -adaptação da obra de João Guimarães Rosa (2014). Ao final do estudo, observou-se que a identidade do sertão foi ressignificada pela construção de uma atmosfera que integrou a escrita roseana aos traços de personagens, cores, tons e curvas de rios e montanhas. Palavras-chave:Design, narrativa visual, graphic novel. AbstractThe design, perceived as a language according to Sudjic (2010), granted a singular form to the novel Grande Sertão: veredas when adapting it for graphic novel. When transporting the rosean sertao to another format, the work constructs another identity for the novel and for the narrative and is the interaction between these aspects and the design, the focus of the discussion carried out here. The cut is made through observations about graphic design and has as references Bonsiepe (2016) and Moraes et.al (2016), for the discussion on design and identity; Ribeiro (2003), in relation to visual communication and graphic composition, and Benjamin (1987) regarding the narrative. The object of study is composed by graphic novels Grande Sertão: veredas -adaptation of the work of João Guimarães Rosa (2014). At the end of the study, it was observed that the identity of the sertão was re-signified by the construction of an atmosphere that integrated roseana writing with the character traits, colors, shades and curves of rivers and mountains.
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