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This article is an ecostylistic examination of Sub-Umbra, one of the six serialised novels in the Victorian pornographic magazine The Pearl (1879–1881). It explores the stylistic strategies utilised to depict landscapes and masculinity – stylistic choices at word- and phrase-level, collocation and compounding, semantic crescendo, humour and point of view – applying an ecostylistic approach. The investigation reveals that the unfolding of the licentious narrative develops from the description of the setting, more precisely the landscape and natural scenery, as feminised and sexualised (Kolodny. 1975. The lay of the land: Metaphor as experience and history in American life and letters. Chapel Hill: University of North Carolina Press). It also demonstrates that the sociological model of gentry masculinity (Connell. 2005. Masculinities. Oxford: Blackwell), characterised by landownership and domination of the physical environment, is the most appropriate to define the main character and narrator interacting with the gendered countryside setting.

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This article presents an ecostylistic analysis of the use of metaphor and framing in The Storm-Cloud of the Nineteenth Century, two lectures by the Victorian polymath John Ruskin. The metaphors and frames identified and examined here are those triggered by the two title words ‘storm’ and ‘cloud’. The overall purpose of this study is to demonstrate that the ‘storm-and-cloud’ metaphors and frames are beneficial discursive strategies urging us humans to preserve the ecological structures all living beings rely on. Since they are key practices in the text, the entire discourse conveyed by the lectures can also be defined as beneficial. Furthermore, a comparison of the metaphors and frames catalogued in the three databases, Master Metaphor List, Metalude and MetaNet Metaphor Wiki, reveals that these are deployed in an innovative and distinctive way in the lectures. Finally, while ecolinguistic metaphor and framing investigation mostly discusses destructive and ambivalent metaphors and frames about nature, this article, which instead considers beneficial discursive strategies, strives to make an analytical contribution to an undeveloped ecolinguistic and ecostylistic research area.

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