Much of the secondary literature about Caryl Churchill focuses on the ideological issues raised by her plays. Indeed, contemporary critics have queried her work at every turn, attempting to divine its implications for a wide range of feminist and Marxist ideals. Despite the fact, however, that Churchill's own political and creative associations are by and large with groups that have strong feminist and Marxist ideals (Monstrous Regiment, Joint Stock, Second Stride), a number of notable critics have found her work at odds with these very same ideals.
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