A landscape is never so valuable as when it is under threat, and the English rural countryside has been the subject of alarm for centuries. Raymond Williams identified an ‘escalator’ on which literary representation continually looked back upon a past golden age of rural virtue, ensuring that the idea of a ‘true’ rural England has persisted into the twentieth century with extraordinary power Thus Howard Newby can write of the ‘stereotypes and myths which surround the popular image of the rural world’, while, at the same time, he claims this fallacious perception is ‘one of the major protecting illusions of our time’. This illusion has been reinforced by the nature of English society. Sir Lewis Narnier believed English society to be ‘amphibious’ in the eighteenth century, with no sharp divide between town and country among the interests of the ruling classes. By the end of the nineteenth century the countryside, under the influence of Romanticism and a changing class structure, had become the preserve of an upper-class society increasingly separated from industrialism and the great towns. Yet this upper class was cemented by the public schools and the universities to include not only landowners, but an array of occupations, including many intellectuals. Until the First World War, despite increasing mechanisation and specialisation in the countryside, the land presented a rural face largely unspoiled by the intrusion of industrial and urban uses. Land was held in large estates, farmed by tenants in a world of mostly irregular fields, lanes and hedgerows, with buildings that preserved vernacular styles.
The depth of feeling now seen in the struggle over environmental conservation can, with the aid of scholars in other disciplines, be traced to the central importance of Nature in the ideology of Western Society. The late seventeenth century is seen as the period of an ideological transformation in which Nature, at first under the tutelage of God, came to set the terms for social definition and debate. As a flexible metaconcept, Nature became a weapon of social control for a hegemonic centre and, at the same time, a vehicle of protest for the social periphery. Further ambiguity arises from the intersection of this development with the devaluation of Nature as a commodity within the capitalist system, which intensifies the element of protest in the use of Nature as a social category.
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