Ainda que tributária do construtivismo brasileiro, a produção artística de Antonio Manuel se manteve única e, muitas vezes, radical. Este artigo examina as especificidades do trabalho do artista, principalmente a partir de suas semelhan ças e diferenças com os postulados do neoconcretismo. Even though related to Brazilian constructivism, Antonio Manuel's artistic production has remained unique, and, sometimes, radical. This article examines the particularities of his work, mainly from the point of view of its relations to neoconcretism's postulates
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