ResumenEste paper quiere ahondar en los significados hipotéticos del mundo representado en la poesía de Tomás Harris (La Serena, 1956), con el fin de subrayar las opciones estéticas y poéticas que Harris hubo de tomar cuando, en los ochentas, la poesía chilena enfrentó el dilema de cómo representar la dictadura pinochetista, sin convertir su poesía en una mera arma ideológica, subsumida a su contexto. En ese contexto, la opción de Harris por la marginalidad más profunda, supuso un viaje hacia todo aquello que quedara ajeno a la realidad cotidiana, haciendo énfasis en la creciente virtualización de la experiencia y su pérdida de arraigo.Palabras clave: Harris, Poesía chilena, dictadura, urbano, marginalidad, crisis, experiencia, virtualidad. AbstractThis article delves in the hypothetical meanings of the world depicted in the poetry of Tomás Harris (La Serena, Chile, 1956), in an attempt to underline aesthetical and lyrical options adopted by Harris in the forked path that young poets had to face in the mideighties. Back then, when Chile was under Augusto Pinochet's regime, Chilean poetry took upon the quandary that represented to deal with such authoritarian system, and keep writing a poetry that was something else than just a mere response to that context. Under such circumstances, Harris' choice for the deepest marginality became a journey towards zones displaced from the public eye, emphasizing the growing virtuality of experience and the lack of the ability of settling in.
Resumen: Este trabajo busca explorar las distintas variantes de lo que Roger Bartra identifica como postmexicanidad. Para Bartra, el nacionalismo mexicano encuentra una muralla insalvable en la globalización y los tratados de libre comercio entre Mé-xico, Canadá y EE.UU., NAFTA (de acuerdo a sus siglas en inglés). Los eventos de fin de siglo y la entrada en una postmodernidad aun cuando periférica, aun así innegable, le permiten a Bartra plantear el concepto de una identidad nacional mexicana que poco o nada tiene que ver con el nacionalismo tradicional de México. En este paper buscamos trazar rasgos de esa nueva identidad en las obras de Mónica de La Torre y Román Luján, a la vez que hacer una crítica del concepto de Bartra en su parcialidad y sus exclusiones.Palabras clave: Poesía mexicana, frontera, transnacionalidad, post-nacionalismo.Abstract: This essay wants to explore what Mexican essayist and public figure Roger Bartra calls Post-mexican condition. According to Bartra, Mexican nationalism faces an insurmountable challenge in globalization and the Free Trade Agreement with Canada and USA (NAFTA). The turn-of-the-century of its political life and the new atmosphere brought by postmodernity, allowed Bartra to devise a concept such as post-mexicanity, a totally diverting idea from traditional Mexican nationalism. We intend to explore traces of this new kind of identity in authors like Mónica de La Torre and Roman Luján, together with a criticism of Bartra's concept due to its exclusions and limited scope.
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