Automatic 1 monitoring for the assessment of pain can significantly improve the psychological comfort of patients. Recently introduced databases with expert annotation opened the way for pain intensity estimation from facial analysis. In this contribution, pivotal face elements are identified using the Histograms of Topographical features (HoT) which are a generalization of the topographical primal sketch. In order to improve the discrimination between different pain intensity values and respectively the generalization with respect to the monitored persons, we transfer data representation from the emotion oriented Cohn-Kanade database to the UNBC McMaster Shoulder Pain database.

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While most of state-of-the-art image processing techniques were built under the so-called classical linear image processing, an alternative that presents superior behavior for specific applications comes in the form of Logarithmic Type Image Processing (LTIP). This refers to mathematical models constructed for the representation and processing of gray tones images. In this paper we describe a general mathematical framework that allows extensions of these models by various means while preserving their mathematical properties. We propose a parametric extension of LTIP models and discuss its similarities with the human visual system. The usability of the proposed extension model is verified for an application of contrast based auto-focus in extreme lighting conditions. The closing property of the named models facilitates superior behavior when compared with state-of-the-art methods.

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Humans comprehend a natural scene at a single glance; painters and other visual artists, through their abstract representations, stressed this capacity to the limit. The performance of computer vision solutions matched that of humans in many problems of visual recognition. In this paper we address the problem of recognizing the genre (subject) in digitized paintings using Convolutional Neural Networks (CNN) as part of the more general dealing with abstract and/or artistic representation of scenes. Initially we establish the state of the art performance by training a CNN from scratch. In the next level of evaluation, we identify aspects that hinder the CNNs' recognition, such as artistic abstraction. Further, we test various domain adaptation methods that could enhance the subject recognition capabilities of the CNNs. The evaluation is performed on a database of 80,000 annotated digitized paintings, which is tentatively extended with artistic photographs, either original or stylized, in order to emulate artistic representations. Surprisingly, the most efficient domain adaptation is not the neural style transfer. Finally, the paper provides an experiment-based assessment of the abstraction level that CNNs are able to achieve.