Through a critical appropriation of Hannah Arendt, and a more sympathetic engagement with Theodor W. Adorno and psychoanalysis, this book develops a new theoretical approach to understanding Austrians’ repression of their collaboration with National Socialist Germany. Drawing on original, extensive archival research, from court documents on Nazi perpetrators to public controversies on theater plays and museums, the book exposes the defensive mechanisms Austrians have used to repress individual and collective political guilt, which led to their failure to work through their past. It exposes the damaging psychological and political consequences such failure has had and continues to have for Austrian democracy today—such as the continuing electoral growth of the right-wing populist Freedom Party in Austria, which highlights the timeliness of the book. However, the theoretical concepts and practical suggestions the book introduces to counteract the repression of individual and collective political guilt are relevant beyond the Austrian context. It shows us that only when individuals and nations live up to guilt are they in a position to take responsibility for past crimes, show solidarity with the victims of crimes, and prevent the emergence of new crimes. Combining theoretical insights with historical analysis, The Politics of Repressed Guilt is an important addition to critical scholarship that explores the pathological implications of guilt repression for democratic political life.
This essay draws on Adorno's concept of the non-identical in conjunction with Lacan's concept of the Real to propose a “theoretical outline of the subject” as central for feminist political theorizing. A theoretical outline of the subject recognizes the limits of theorizing, the moment where meaning fails and we are confronted with the impossibility to fully grasp the subject. At the same time, it insists on the importance of a coherent (if not whole) subject through which to effect transformations in the sociopolitical sphere. Since the non-identical is more grounded in the material world than the Real, and the Real allows us more than the non-identical to grasp the anxieties and desires that lead to totalizing theories, it is a complementary Adornian-Lacanian theoretical framework that holds a central promise for feminist political theorizing.
In her latest book, The End of Progress, Amy Allen embarks on an ambitious and much needed project: to decolonize contemporary Frankfurt School critical theory. As with all of her books, this is an exceptionally well-written and well-argued book. Allen strives to avoid making assertions without backing them up via close and careful textual reading of the thinkers she engages with. In what follows I will state why this book makes a central contribution to contemporary critical theory (in the wider sense), after which I pose a few questions. These questions are not meant to prove that there are any serious problems with her argumentation. Rather, they are meant in the spirit of dialogue and to allow her to further elaborate her work for the audience.Throughout the book, and in particular chapter one, Allen brings feminist post-and de-colonial theory in conversation with contemporary 759469P TXXXX10.
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