This article provides primary teachers with assessment tools and curricular examples to expand writers’ workshop by adding a multimodal storytelling unit on drama and filmmaking, allowing students to create engaging off‐the‐page stories through films and play performances that enrich writing. Too often, children's literacy abilities are assessed solely based on what they can write on paper, overlooking the rich ways children convey meaning through multiple communication modes like sound effects, gesture, movement, images, and language in their storytelling. This research recognizes play as an important literacy and argues that a multimodal emphasis in teaching and assessment more closely matches the ways children learn and make meaning in their everyday lives. This study is a part of a larger, ongoing multiyear, multisite study of literacy playshops in early childhood classrooms and teacher education.
Purpose The purpose of this paper is to theorize teacher agency as enacted through a P/policymaking lens in three elementary classrooms. Big-P Policies are formal, top-down school reform policies legislated, created, implemented and regulated by national, state and local governments. Yet, Big-P policies are not the only policies enacted in literacies classrooms. Rather, little-p policies or teachers’ local, personal and creative enactments of their values and expertise are also in play in daily classroom decisions. Little p-policies are teachers doing their best in response to their students and school contexts. Design/methodology/approach Adapting elements of discursive analysis, this interpretive inquiry is designed to examine textual artifacts, situated alongside classroom events and particular local practices, to explicate what teachers’ policymaking enactments regarding time and curriculum look like across three distinct contexts. Using three elementary classrooms as examples, this paper provides analytic snapshots illustrating teachers’ policymaking to solve problems of practice posed by state and school policies for curriculum, and for use of time at school. Findings The findings suggest that teachers ration (aliz)ed use of time in ways that enacted personal politics, to prioritize children’s personal growth and well-being alongside teachers’ values, even when use of time became “inefficient.” An artifact from three focal classrooms illustrates particular practices – scheduling, connecting and modeling – teachers leveraged to enact little p-policy. Teachers’ little p-policy enactment is teacher agency, used to disrupt temporal and curricular policies. Originality/value This framing is valuable because little-p policymaking works to disrupt and negotiate temporal and curricular mandates imposed on classrooms from the outside.
School inequity is a persistent and 'wicked' problem communities have a responsibility to solve. Here, we argue that critical literacy advocacy within community-based settings provides an unprecedented opportunity to examine and disrupt school inequity and promote sustainable actions towards justice-based solutions. This article connects critical literacy and equity literacy theoretical frameworks to describe a series of invitations and actions that focused on addressing school inequity in one town. Here, authors offer lessons learned from a community-led school equity literacy campaign where researchers and participants collectively organised and reflected on a public event series entitled 'Year of Equity' (YoE). Three key YoE processes are described: facilitating book clubs, facilitating a community conversation event and forming action committees. These processes relied on critical equity literacies through the promotion of new relationships and shared experiences centring on engagement with a variety of texts, through a focus on incremental change over time.
Increased emphasis on standardization in primary grades can stifle spontaneous literacy play. The authors argue that allowing playful, collaborative, multimodal literacies into primary classrooms and specifically in writers’ workshop can expand and enliven the way we see students’ literacy strengths. The authors look closely at the unique storytelling processes and final performance of a grades K–1 collaborative storytelling group, the Zombie Boys. This group worked over several weeks during workshop/playshop to produce an original story line rich in special effects, music, synchronized dance, puppets, backdrop, and props design and delivered a meaningful and entertaining play performance. The authors also demonstrate possibilities in expanded, equitable literacy assessment for primary grades by using a multimodal checklist and story line graph to gauge narrative complexity and story shape, tracking the group’s minilesson uptake, and describing how peers and teachers received the group’s story when performed for feedback.
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