This article is the publication of Ashmolean Museum AN 1888.561, a small, damaged limestone object carved with images of deities and texts relating to the Nineteenth Dynasty high priest of Onuris, Minmose. These features, as well as the object’s distinctive form, are described, and a brief commentary is given for the texts. It is suggested that the object might be a votive Isis-throne.
The aim of this paper is to contribute to the discussion of the relationship between manuscript and epigraphic traditions in premodern cultures by addressing aspects of the monumentality of writing in the context of Ancient Egyptian tombs near the end of the third millennium BC (the late Old Kingdom). Ritual texts inscribed on the walls of subterranean chambers of kings' and queens' pyramids at Saqqara are known as 'The Pyramid Texts', the earliest known mortuary corpus of any civilization. The texts, which are inscribed in hieroglyphs, are carved, decorated, and painted in green. They are laid out in columns and cover surfaces up to three metres high in the main chambers and in the passages leading to the entrances of the pyramids. While the texts were performed during rituals and recorded in writing in contexts that are now lost, the carved hieroglyphic forms in the pyramids make it possible to glimpse the extent of manuscript culture and scribal practices of this period. The process of inscription involved not only reconfiguration from manuscript to wall, but also reinterpretation of the texts in terms of the spatial, architectural, and symbolical context of the tomb. This paper investigates the idea of monumentality in relation to the way these texts were reconfigured in the pyramids.
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