Set in 1978, the year Edward Said publishedOrientalism, Salman Rushdie'sMidnight's Childrendepicts “magic children” born in the first hour of August 15, 1947, “within the frontiers of the infant sovereign state of India” (1981, 226, 224). Through some “freak of biology” or “preternatural power,” the children receive “miraculous” abilities, including such superhero staples as flight, time-travel, and “a boy who could increase or reduce his size at will” (224, 227, 228). For his mind-reading narrator, Rushdie evokes the Shadow's 1930s radio slogan: “the ability to look into the hearts and minds of men” (229). The American Shadow, like so many of his descendants and predecessors, gained his powers from the mythical Orient, but the fantastical abilities that Rushdie awards the first citizens born in independent India mark the end of colonial exploitation and the transfer of real-world political power from colonizers to the formerly colonized.
Some purport that literary fiction is determined by high inference demands. The subgenre of science fiction is often defined by story-world tropes that may reduce inferential demands. However, science fiction with high inference demands may also constitute literary fiction. Instead of inferential demands, it may be readers’ responses to setting that distinguishes science fiction and narrative realism. In two experiments, a story was manipulated for contemporary and science-fiction settings. Also, a version of each text with and without explanatory statements manipulated inference demand. Readers perceived the science-fiction text as lower in literary quality. For science fiction, readers also exerted less inference effort for theory of mind, but more for understanding the world. Regardless of inference effort, participants who read the story in the science-fiction world performed more poorly on comprehension. Readers’ expectations triggered by setting tropes seem to be particularly potent determinants of literary quality perceptions, inference effort, and comprehension.
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