Background music affects lyrics intelligibility of singing vocals in a music piece. Automatic lyrics alignment and transcription in polyphonic music are challenging tasks because the singing vocals are corrupted by the background music. In this work, we propose to learn music genre-specific characteristics to train polyphonic acoustic models. We first compare several automatic speech recognition pipelines for the application of lyrics transcription. We then present the lyrics alignment and transcription performance of musicinformed acoustic models for the best-performing pipeline, and systematically study the impact of music genre and language model on the performance. With such genre-based approach, we explicitly model the music without removing it during acoustic modeling. The proposed approach outperforms all competing systems in the lyrics alignment and transcription tasks on several well-known polyphonic test datasets.

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Automatic lyrics to polyphonic audio alignment is a challenging task not only because the vocals are corrupted by background music, but also there is a lack of annotated polyphonic corpus for effective acoustic modeling. In this work, we propose (1) using additional speech and music-informed features and (2) adapting the acoustic models trained on a large amount of solo singing vocals towards polyphonic music using a small amount of in-domain data. Incorporating additional information such as voicing and auditory features together with conventional acoustic features aims to bring robustness against the increased spectro-temporal variations in singing vocals. By adapting the acoustic model using a small amount of polyphonic audio data, we reduce the domain mismatch between training and testing data. We perform several alignment experiments and present an in-depth alignment error analysis on acoustic features, and model adaptation techniques. The results demonstrate that the proposed strategy provides a significant error reduction of word boundary alignment over comparable existing systems, especially on more challenging polyphonic data with long-duration musical interludes.

In this work, we develop a strategy to automatically evaluate pronunciation of singing. We apply singing-adapted automatic speech recognizer (ASR) in a two-stage approach for evaluating pronunciation of singing. First, we force-align the lyrics with the sung utterances to obtain the word boundaries. We improve the word boundaries by a novel lexical modification technique. Second, we investigate the performance of the phonetic posteriorgram (PPG) based template independent and dependent methods for scoring the aligned words. To validate the evaluation scheme, we obtain reliable human pronunciation evaluation scores using a crowd-sourcing platform. We show that the automatic evaluation scheme offers quality scores that are close to human judgments.