Using the Islamic State/Da'esh as a case study, we identify the genesis of a new form of terrorism arising from the convergence of networked social media and changes in the forms of conflict. Socially mediated terrorism is defined as 'the use of social and networked media to increase the impact of violent acts undertaken to further a social, political and/or religious cause with the aim of creating physical, emotional or psychological suffering that extends beyond the immediate audience'. Our analysis distinguishes three strategies involving cultural heritage. The first is smoke, mirrors and mock destruction, which exaggerates perceptions of power and tests the impact of potential destruction. The second is shock, awe and censure, which uses international outrage to cloak the Islamic State with an aura of invincibility and highlight the impotence of its opponents. The third is financing the Kaliphate, which has transformed the ad hoc looting of archaeological sites into a business model. Iconoclasm has a lengthy history in which cultural icons were destroyed with the primary aim of subjugating local populations/audiences. In contrast, the Islamic State's promotion of cultural heritage destruction through networked social media is directed simultaneously towards local, regional, and international audiences with reactions from one audience used to subdue, embolden or intrigue another. As such, networked social media can be viewed as a fresh -and currently under-rated -threat to cultural heritage in conflict zones. Finally, we draw

In this paper we adapted the International Association of Public Participation (IAP2) community engagement model and applied it to archaeological practice. The case studies are parallel historical archaeological projects undertaken near the town of Kapunda, 75 km north of Adelaide, South Australia. Whilst each project had distinctive separate aims and outcomes, they were both underpinned by a commitment to collaborative practice. The IAP2 model provided clear steps for engagement and helped mitigate problems from the outset. This opportunity to put collaborative theories into practice has resulted in genuine relationships being established between ourselves and community members, the reconnection of descendant families with their shared stories, and the revealing of other versions of the past that had been erased, consciously or unconsciously, over time. It has proved to us that academic research projects can be integrated with real collaborative practice.

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This paper presents an analysis of how the Islamic State/Da'esh and Hizb ut-Tahrir Indonesia manipulate conflicting social, cultural and religious values as part of their socially mediated terrorism. It focusses on three case studies: (1) the attacks in Paris, France on 13 November 2015; (2) the destruction of cultural heritage sites in Iraq and Syria; and (3) the struggle between nationalist values and extreme Islamic values in Indonesia. The case studies were chosen as a basis for identifying global commonalities as well as regional differences in socially mediated terrorism. They are located in Asia, the Middle East and Europe. The integrated analysis of these case studies identifies significant trends and suggests actions that could lessen the impact of strategies deployed by extremist groups such as Da'esh, al-Qaeda and Hizb ut-Tahrir. We discuss the broader implications for understanding various aspects of socially mediated terrorism.

Although the historical record relating to nineteenth century frontier conflict between Aboriginal groups and Europeans in Queensland has been clearly documented, there have been limited associated archaeological studies. As part of the Archaeology of the Queensland Native Mounted Police (NMP) project, this paper canvasses the physical imprint of frontier conflict across Queensland between 1849 and the early 1900s, focusing specifically on the activities and camp sites of the NMP, the paramilitary government-sanctioned force tasked with policing Aboriginal people to protect settler livelihoods. At least 148 NMP camps of varying duration once existed, and historical and archaeological investigations of these demonstrate some consistent patterning amongst them, as well as idiosyncrasies depending on individual locations and circumstances. All camps were positioned with primary regard to the availability of water and forage. Owing to their intended temporary nature and the frugality of the government, the surviving structural footprints of camps are generally limited. Buildings were typically timber slab and bark constructions with few permanent foundations and surviving architectural features are therefore rare, limited to elements such as ant bed flooring, remnant house or yard posts, stone lines demarcating pathways, and stone fireplaces. Architectural forms of spatial confinement, such as lockups or palisades, were absent from the camps themselves. The most distinctive features of NMP camps, and what allows them to be distinguished from the myriad pastoral sites of similar ages, are their artefact assemblages, especially the combined presence of gilt uniform buttons with the Victoria Regina insignia, knapped bottle glass, and certain ammunition-related objects.