Anlatı aktarıldığı medyanın özelliklerine göre biçimlenmekte ve insanların dünyayı görme biçimlerini etkilemektedir. Sosyal medya yeni bir anlatı kültürü doğurmuştur. Sosyal medya profilleri kullanıcının yaşam hikâyesini yansıtırken, hikâye özelliğiyle kullanıcılar gündelik hayatlarından kesitleri fotoğraf, video, konum verisi, emojiler, metin gibi unsurları kullanarak paylaşmaktadır. Herkesin kendi hikâyesini anlatma ve beğenilme arzusunu serbest bıraktığı bu çağda, sosyal medya anlatıları idealize edilen ve kolektif imgelemin ürünü olan kimlikler sunmaktadır. Sosyal medya hikâyelerinin 24 saat sonunda uçucu olma özelliği, hızlı içerik üretim, paylaşım ve tüketimini körüklemektedir. Hız hikâyeyi deneyimden, auradan ve derin bir anlatı dilinden uzakta tutmakta, yerine 'an'ı yaşarken aktarmanın cazibesini koymaktadır. Anı kaydetme ve yaşarken paylaşma alışkanlığı, kişisel tarih, hatıralar ve belleği etkilemektedir. Bu çalışma, sosyal medyanın anlatıda dönüştürdüğü yönleri, kimlik ve bellek ekseninde eleştirel bir bakış açısıyla ortaya koymayı konu edinmiştir. Öncelikle hikâye anlatıcılığı çerçevesinde sosyal medya anlatıları değerlendirilmekte, sonrasında sıradan hayatların hikâyeleşme serüveni kimlik sunumu, beğenilme arzusu, mahremiyet sorunsalı, estetik, dil, deneyim ve dijital bellek unsurları üzerinden tartışılmaktadır.
Social media, as an interactive and digital communication medium that is relatively free of time and place boundaries, is transforming the way we communicate. Since the Internet fully commercialized by 1995, web based technologies those constitutes social media have been developed with an accelerated pace. Relatively proportional to technology development pace, adoption rates of social media tools such as web logs (blogs), online social networks, social bookmarking sites, etc. are extremely high and Twitter, an online social networking and micro-blogging service, is a significant example with its hundred millions of users. Since the most of the Twitter penetration rates are from Turkey, obviously Twitter has been a popular social media channel in Turkey. In this article; at first interaction, the fundamental concept of social media, will be defined in depth and then a content analysis on Turkish dataset from Twitter will be shared to identify the user behaviors in Turkey.
Governments have mobilized digital surveillance technologies to control the Covid-19 pandemic, which spreads across the world and affects every aspect of everyday life. Where the basic sense of security is shaken and anxieties, such as terrorism or epidemic, are heightened, society will readily consent to surveillance. Under the present conditions, through fostering culture of fear, surveillance can be legitimized and extend beyond the boundaries of disease surveillance. In the case of epidemic diseases, however, tracking the places and spatial movements of bodies, as well as the biological surveillance, is significant. Therefore, location-based surveillance applications that merge physical space with digital information have become prevalent. Thus, the formative feature of space and the dominance of bio-surveillance come together to reveal a deeper form of surveillance than ever before. The governments have introduced location-based surveillance since the pandemic, and these practices have been the subject of controversy in various countries in the context of their specific dimension and rates of interference in everyday life. The aims of this study are to reveal the aspects of spatial surveillance used in the Pandemic that exceeding the boundaries of disease surveillance and enable government control, to examine forms of the legitimization of these aspects and to discuss their institutionalization as a part of daily life after the pandemic.
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