Resumen: la narrativa es uno de los lugares desde donde se pueden visibilizar relatos que permanecen silenciados en los discursos de la oficialidad. El carácter simbólico y ficcional de la narrativa no solo habla de su función estética y cultural, sino también de la posibilidad de leer y mostrar aquello que se escapa de las instituciones formales. Aquí, intentamos abordar un problema que, desde la década de los ochenta, está presente no solo en la literatura, sino dentro del contexto nacional: la frontera móvil del crimen en Venezuela: sus transformaciones, funcionamiento y carácter inédito. A partir del texto Salsa y control de José Roberto Duque, analizamos los signos sociales y políticos que atraviesan la representación narrativa del crimen como potencia en la que se avizora el problema de la violencia en la Venezuela actual. Palabras clave: narrativa, crimen, frontera móvil, Venezuela Abstract: The narrative is one of the places where you can visualize narratives that have been hidden. The symbolic and narrative fictional character not only speaks of his aesthetic and cultural role, but also the ability to read and display what escapes from formal institutions. Here, we try to address a problem that since the eighties is present not only in literature but in the national context: the mobile border crime in Venezuela: its transformations, operation and precedent. From text Salsa y control (José Roberto Duque), analyze the social and political signs that cross the narrative representation of crime in the current Venezuela.
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