No abstract

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The aim was to compare the inter-limb symmetry between alternated and simultaneous arms flexion during water fitness sessions. Twenty-three elderly women were recruited to perform flexion by the elbow with different mechanical strategies: (a) simultaneous and (b) alternated. An incremental protocol was used, with four music cadences, starting at 105 beats per minute up to 150. The peak force of dominant and non-dominant upper-limbs was retrieved. A symmetry index (SI, %) was also used to quantify coordination. There were significant variations in force produced by the dominant and non-dominant limbs in most of the cadences in the alternated or simultaneous actions. Differences with a medium effect between upper-limbs were shown when moving simultaneously indicating that an alternated movement can be a more proper strategy to work with. Despite that, both strategies seemed to be characterized by an asymmetric pattern (SI from 20 to 30%), requiring full attention from water fitness practitioners.

The evaluation of propulsive forces in water allows the selection of the most appropriate strategies to develop strength during water fitness sessions. The aim of this study was threefold: (i) to analyze the rate of force production; (ii) to analyze the rate of force variation; and (iii) to compare limbs’ symmetry in two water fitness exercises. Twenty-two young health subjects (age: 21.23 ± 1.51 years old, body mass: 67.04 ± 9.31 kg, and height: 166.36 ± 8.01 cm) performed incremental protocols of horizontal adduction (HA) and rocking horse (RHadd), from 105 until 150 b·min−1. Data acquisition required an isokinetic dynamometer and a differential pressure system that allowed the assessment of (a) isometric peak force of dominant upper limb (IsometricFD); (b) propulsive peak force of dominant upper limb (PropulsiveFD); and (c) propulsive peak force of nondominant upper limb (PropulsiveFND). Significant differences were found in the rate of force production (RateFD) between the majority cadences in both exercises. The RateFD reached ~68% of the force in dry-land conditions, and lower cadences promoted a higher rate of force variation (ΔForce). Most actions were asymmetric, except for the HA at 135 b·min−1. In conclusion, the musical cadence of 135 b·min−1 seems to elicit a desired rate of force production with a symmetric motion in both exercises.

The aim of this study was to compare bilateral propulsive forces and coordination while exercising at static and dynamic conditions in the water. A total of 27 older women (age: 65.1 ± 6.7 years old) performed the following exercises: (i) horizontal upper-limbs adduction (HA; static condition) and (ii) rocking horse (RH; dynamic condition) through an incremental protocol with music cadences from 105 up to 150 b·min−1. The duration of each trial was set at 30 second (sec). Propulsive peak force (in Newton, N) of dominant (PFD) and nondominant (PFND) upper limbs was retrieved using hand sensors coupled to a differential pressure system. Significant differences in force production were found between static and dynamic exercises at higher cadences (120, 135, and 150 b·min−1). The static condition elicited higher bilateral propulsive forces and a more symmetric pattern. The in-water static exercise with bilateral action from the upper limbs proved to be the most appropriate strategy for older women to work strength and to reduce asymmetries.