Selective auditory attention allows us to focus on relevant sounds within noisy or complex auditory environments, and is essential for the processing of speech and music. The auditory steady-state response (ASSR) has been proposed as a neural measure for tracking selective auditory attention, even within continuous and complex soundscapes. However, the current literature is inconsistent on how the ASSR is influenced by selective attention, with findings based primarily on attention being directed to either ear rather than to sound content. In this experiment, a mixture of melody streams was presented to both ears identically (diotically) as we examined if selective auditory attention to sound content influences the ASSR. Using magnetoencephalography (MEG), we assessed the stream-specific ASSRs from three frequency-tagged melody streams when attention was directed between each melody stream, based on their respective pitch and timing. Our results showed that selective attention enhances the ASSR power of an attended melody stream by 15 % at a general sensor level. Furthermore, we explored the distribution of cortical ASSR sources and their respective attentional modulation. A novel finding using distributed source modelling revealed that the ASSR is modulated by attention in many areas across the cortex, with frontal regions experiencing the strongest enhancement of up to ~ 80 %. ASSRs in the temporal and parietal cortices were enhanced by approximately 20 -25 %. We also found a systematic right hemispheric bias of the ASSR attentional modulation. Overall, this study demonstrates that selective auditory attention to sound content increases the ASSR power of the attended stream according to a specific neural pattern involving the frontal, parietal and temporal cortices. This ability to readily capture attentional changes in a stimuliprecise manner makes the ASSR a useful tool for studying selective auditory attention, especially in complex auditory environments.In light of the brain's limited capacity to process simultaneous information, the ability to attend to one out of several 2 competing sounds is therefore essential, allowing one to extract and process the most important information amidst a complex 3 auditory environment. This phenomenon was first coined the "Cocktail party effect (CPE)" by Cherry in 1953 and is important 4 to functions such as speech recognition, musicianship and threat identification 1 . In music, selective auditory attention can 5 manifest as the ability to discern a single instrument amongst an orchestral performance, or a single voice in a choir. This 6 ability, measured both in terms of speech-in-noise performance 2 and robustness of neural patterns 3 , is positively correlated with 7 the listener's amount of musical training 2-3 , suggesting that selective attention capabilities may be improved through strategic 8 training regimes. While the relevance of the CPE for perception and performance is well documented, the neural mechanisms 9 underlying this phenomenon is still not complete...
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