The experience, as a lesbian feminist, of curating a city museum's lesbian, gay, bisexual, and transgender history exhibition is discussed through conversation, reflection, and reference to contemporary museum thought. The processes of engaging communities and of juggling the political realities of diverse interests, including that of the city government, raise issues for feminist activism. Effective changes for individuals and systems can be brought about, not by storming the bastions of power, but through curating memories and meanings to create affecting experiences. KEYWORDS Feminist curating; social history museums; Museum of Brisbane; lesbian gay bisexual transgender queer; community engagement Feminist curating? Well, it all depends what type of feminist you are! Curating the Museum of Brisbane's 2010 show Prejudice and Pride: Recognising Lesbian, Gay, Bisexual and Transgender Lives in Brisbane (hereafter referred to as Prejudice and Pride) made me much more savvy about other people's sex lives; frequently alarmed me; awakened my appreciation of lesbian, gay, bisexual, and transgender (LGBT) activism; and allowed me to bring my own lived experience, awareness, and skills to the work of curating.I was a theoretical curator when, in 2007, I wrote:Curating is the very art of selection. It is a political art in at least three senses -firstly, that of juggling the expectations of the curator's political masters, secondly that of what worldviews the curators give allegiance to by inclusions and exclusions, and thirdly, in how the exhibition is put together. 1Now, from the privileged position of having played the full curator role, I reflect on my experiences as a lesbian feminist in curating the Prejudice and Pride exhibition. I shine a spotlight on each of these aspects of the politics of curating. Being the kind of feminist I am, I particularly emphasise the third aspect: how this exhibition was put together. Fact box • Prejudice and Pride: Recognising Lesbian, Gay, Bisexual and Transgender Lives in Brisbane, an exhibition by Brisbane City's Museum of Brisbane ran from June to October 2010. • Curated by Carol Low. • The exhibition was awarded the Museums and Galleries of Queensland Galleries and Museums Achievement Award (GAMAA) for 2010.