This essay addresses the ideas and schemas of reincarnation as used in the poetry and prose of William Butler Yeats, with particular focus on the two editions of A Vision. It contrasts the metaphysical system as given in A Vision (1937) with a number of inconsistencies found in Yeats's poetic corpus, with an emphasis on how one might interpolate an escape from the cycle of lives, in at least one possibility while still maintaining corporality. The justification for this last comes from an analysis of complex cabalistic metaphors and teachings that Yeats learned as a member of MacGregor Mathers' Hermetic Order of the Golden Dawn.
This article examines Yeats's broad use of Irish folklore between 1888 and 1938, and attempts to find a justification for his contention that his own unique metaphysical system expressed in both editions of A Vision, itself an outgrowth of his three decades of ritual practice as an initiate in the Hermetic Order of the Golden Dawn, could somehow function as both an interpretation and enlargement of "the folk-lore of the villages". Beyond treating Irish fairy stories as a way for Yeats to establish his own Irishness, capture what remained of "reckless Ireland" in its twilight, or create a political counter-discourse set against English hegemony, the immutability and immortality of the sídhe are considered in light of the assertions of several minor lectures from the Golden Dawn. This connection sheds new light on Yeats's ideas about Unity of Being, and hypothesizes a possible esoteric path to "escape" from his system of phases so as to resolve the body-soul dilemma evident in his poetry.
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