Auditory localization was studied in a room bounded by a single acoustically reflective surface. The position of that surface was varied so as to stimulate a floor, a ceiling, and left and right side walls. The surface was eliminated in one condition so that we could examine localization in free field for purposes of comparison. Using a source identification method we assessed the influences of these various room configurations on the localization of both slow-onset and impulsive sine tones of low frequency (500 Hz). We also measured the steady-state interaural-time-difference (ITD) and interaural-intensity-difference (IID) cues available to subjects in the different room configurations and compared these data with the perceptual judgments. Our results indicate the following: (1) A sound must include transients if the precedence effect is to operate as an aid to its localization in rooms. (2) Even if transients are present the precedence effect does not eliminate all influences of room reflections. (3) Due to the interference of reflections large interaural intensity differences may occur in a room and these have a considerable influence on localization; this is true even at low frequencies for which IID cues do not exist in a free field. (4) Listeners appear to have certain expectations about the reliability and plausibility of various directional cues and perceptually weight the cues accordingly; we suggest that this may explain, in part, the large variation in time-intensity trading ratios reported in the literature and also the differing reports regarding the importance of onsets for localization. (5) In this study we find that onset cues are of some importance to localization even in free field.

The steady-state sound field of a sine tone does not provide useful localization information in a room. Nevertheless, listeners can localize a sine tone in a room if it has an onset transient which allows the precedence effect to operate. In the present study, we made a quantitative assessment of onsets and the precedence effect by systematically varying onset duration from 0 s (impulsive), where the precedence effect is maximal, to 5 s, where there is no precedence effect at all. We also assessed listeners' sensitivity to the steady-state sound field under impulsive conditions by varying the total duration of tone pulses. Our experiments were conducted in a room with a single acoustical reflection having various directions and delays, and in an anechoic room. The results for tones of various frequencies (500 and 2000 Hz) and sound-pressure levels (65 and 40 dBA) indicate the following: Localization in rooms is facilitated by onsets even if the onsets are as long as 100 ms. The facilitation depends upon the peak intensity of the tone, as well as the onset duration, suggesting that onset rate is critical for the precedence effect; our results are most consistent with rate expressed as an increase in sound pressure per unit time. The facilitation also depends upon the reflection delay time for a room; gradual onsets take on much more importance for the precedence effect in rooms with long delays. As onsets begin to lose their effectiveness listeners become increasingly "misdirected" by invalid cues in the steady-state sound field. The pattern of misdirection suggests a perceptual averaging of cues over an interval more than an order of magnitude longer than previous estimates of the summation window for the precedence effect. The pattern of misdirection varies with the frequency of a tone, due to frequency-dependent interference effects in a room, but it is independent of signal level. Localization of an impulsive sine tone in rooms is very insensitive to the pulse duration; this suggests that binaural inhibition models of the precedence effect must be supplemented by an evaluative component that we term the "plausibility hypothesis."

When the (vocalic) formant transitions appropriate for the stops in a synthetic approximation to [spa]or [sta] are presented to one ear and the remainder of the acoustic pattern to the other, listeners report a duplex percept. One side of the duplexity is the same coherent syllable ([spa] or [stall that is perceived when the pattern is presented in its original, undivided form; the other is a nonspeech chirp that corresponds to what the transitions sound like in isolation. This phenomenon is here used to determine why, in the case of stops, silence is an important cue. The results show that the silence cue affects the formant transitions differently when, on the one side of the duplex percept, the transitions support the perception of stop consonants, and when, on the other, they are perceived as nonspeech chirps. This indicates that the effectiveness of the silence cue is owing to distinctively phonetic (as against generally auditory) processes.133

The Franssen effect is an illusion that causes human listeners to make large errors in localizing a sound source. This paper describes steps taken to convert the illusion into an experiment in order to study the localization precedence effect as it operates in rooms. The results of the experiment suggest that there are two components to the illusion: The first is the inability of listeners to localize a sine tone in a room in the absence of an onset; the second is the obscuring of modulation cues by the irregular transient response of a room. Experiments show that the Franssen effect fails completely in an anechoic environment, as expected if the effect depends upon the implausibility of steady-state cues in a room. The Franssen effect also fails when the spectrum of the sound is dense.